Tag: 90’s

Legendary, underground, Midwest technical hardcore/metalcore band Subsist announce a vinyl pressing of their acclaimed (and originally self-released on CD only) album The Rhythm Method. The Midwest band released 2 CDs in the late 90s/early 00s before calling it quits. Those in the know have always been aware of their greatness, despite their underground status. This first-ever vinyl pressing is a co-release through Steadfast Records and Dropping Bombs. See the Big Cartel link below for ordering info. Pre-orders are live as of today.… Continued →

The 90s comprised an amazing decade for alternative Christian music. We had metal, punk rock, emo, industrial, and out of left field we also had an amazing run of alternative-tinged folk rock. I was primarily a metalhead/hard alternative guy when I got hit by this amazing run of folk acts like Lost Dogs, Nicolas Giaconia, Acoustic Shack, and the UK’s own Eden Burning. While Eden Burning had been going in their native England for several years prior, their first US release was Vinegar and Brown Paper, for Storyville Records, a folk imprint of R.E.X.… Continued →

If anyone asked me to name my favorite Christian hip-hop project of all time, it is without a doubt Brainwash Projects, and their sole album The Rise and Fall of . . . . Perhaps the album title was a hint at how long the project would last, and we all just missed it at the time. Rise and Fall had everything: lyrical witticisms, dope beats, funky rhymes, and humor by the bucketloads. While the whole album is worth listening to straight through without skipping any tracks, one of the strongest singles is “Want for Nada,” a testimony to God’s faithfulness.… Continued →

Synth-pop is sort of the illegitimate child of alternative rock and disco. Although it’s not obvious, its roots like in experimental forms of music like krautrock and post-punk. As new wave splintered further and further away from punk, and added more and more synthesizers, synth-pop was being birthed. In the mainstream, acts as diverse as Kraftwerk, New Order, and Pet Shop Boys were solidifying the sound. I loved 90s synth-pop, or simply “techno” as we called it then. It was fun and danceable, dark and poppy, all at the same time.… Continued →

This band was the epitome of one of those all-too-common scenarios in 90s Christian music: the frustratingly great one-album wonder. Driver Eight released Watermelon via Tooth and Nail Records in 1996, to high acclaim from fans and critics alike, and then disappeared into the . . . well, that’s just it–we don’t know what happened! The album featured a highly-effective mix of alternative rock styles including Britpop (even though the band was American), quasi-shoegaze, and jangle pop. It seemed that they were channeling equally such disparate influences as Smashing Pumpkins, Catherine Wheel, R.E.M.,… Continued →

If you’ve followed my writings for any amount of time, it’s not hard to discern my love for all things shoegaze, dream pop and the like. One of the best in the game was the mysterious LN. I was never quite sure if it was a band, or a solo project masquerading as a band. Sure, it was fairly well known that Gary Murray (who later recorded as Gary Murray and LN, and then just as Gary Murray) was the principal of the band, but not as clear who else was involved or at what level.… Continued →

I don’t know why it took me so long, but recently a very simple thought has helped me out immensely in my spirituality and my walk with Christ. It’s simply this: choose love. That’s it. When I am tempted to sin, choose love instead. When I want to be selfish, choose love. When I want to do something that would only please or elevate myself and not others, choose love. Mike Stand was singing about it decades ago. And of course, the ultimate trump card here is Jesus himself.… Continued →

It’s time for some industrial! But not the guitar-heavy metallic brand. The November Commandment (or often Nov*Com) were doing EBM/electro before it was trendy–or even before it was called that. Hailing from Sweden, the band emerged with an independent cassette in 1988 called Complete Structure. The tape featured a minimalist sound driven by synthesizers, not too unlike Coil and some of Wire’s more experimental material. They released another cassette in 1991, this time a 5-song EP. The band made their appearance in the consciousness of American fans via the fantastic SLAVA compilation, Voice of the People, co-released through Blonde Vinyl Records.… Continued →

A really great newer indie rock band by the name of Spoken in Tongues have just dropped their brand new Covers ep titled “Ghosts” through bandcamp/digital networks. You can download the EP right here at Bandcamp. Spoken in Tongues are an impressive indie band rooted in everything from 80’s new wave, and 90’s underground indie music with post hardcore tendencies. It’s a diverse set of sounds and if you know the players on this release, you’ll understand instantly just why it is that they stand apart from the rest.… Continued →

The one, the only, the legendary hardcore band from Tulsa, Oklahoma. Mr. Bishop’s Fist only released one 3-song demo, and had 2 compilation appearances, before they broke up and moved to the Pacific Northwest. So why include the band here when they made such a small impact? Well, despite their limited output, the band actually had an incredible impact. First, because the songs were so good, so brutal, so raw and real, fans and collectors to this day still talk about the band. Second, members of the band wound up in a number of other bands that were equally influential.… Continued →

I completely forgot to post about this for about a week and I do apologize. Vinyl boutique label, Lost in Ohio, have taken it upon themselves to re-release some awesome classic Christian alternative albums on Vinyl, some for the very first time. They just launched a kickstarter to fund their latest creation, Morella’s Forest “Super Deluxe” which was the official Tooth & Nail label debut released back in 1995. Check out the kickstarter right here and make sure to visit the record label website here for more great music including a rerelease of Sixpence None the Richer “This Beautiful Mess” on Vinyl.… Continued →

Among the plethora of pop-punk bands in the Christian scene, Slick Shoes were one of the best, probably top 5 out of hundreds. Formed in 1994 in Southern California (like most Christian pop-punk bands), they released their debut EP for Tooth & Nail in 1997, then proceeded to release 6 full-lengths, a split with mainstream band Autopilot Off (FKA Cooter) and a live album. The band won a lot of points with me by taking their name from one of my favorite movies of all time, The Goonies.… Continued →

Havalina Rail Co. was a delightfully quirky, eccentric, genre-fusing and genre-bending experimental band from California. Across their 10-year career (give or take), the band dabbled in folk, ska, jazz, ragtime, blues, Americana, surf, and multiple internationally-themed genres. No two albums in their canon treads the same ground, and yet each successive opus is clearly recognizable as Havalina. The band stopped recording as HRC somewhere in the early 00s, but members have turned up elsewhere. Most notably are Matt Wignall who is a renowned photographer and is perhaps now best known as the producer for several Cold War Kids albums.… Continued →

Contemporary Celtic band Iona have been making music since their eponymous debut released in 1990. Fusing traditional Celtic folk instruments (flutes, whistles, bodhran drums, etc.) with jazz and progressive elements caused them to stand out from their other contemporary Celtic peers. Albums from the band commonly featured worshipful tunes (“Treasure” for instance, from their third album Beyond These Shores or “Revelation” from the second one, Book of Kells), traditional Scots-Irish tunes, as well as lengthy instrumental songs, or instrumental sections within songs. One of the most stunning examples of the latter is “Bi-Se I Mo Shuil” (Irish Gaelic for “She is My Eye”), from their fourth album Journey into the Morn.… Continued →

I’m a sucker for all things shoegaze, including music that often falls under the wider umbrella of dream pop, madchester/baggy, indie pop and some forms of Britpop and space rock. While shoegaze had a limited representation amongst Christian artists, there were a few who really excelled in the genre. Ypsilanti, Michigan’s Velour 100 was one such artist. Led by Trey Many (who had honed his skills in the mainstream His Name is Alive and Liquorice; also a member of indie rock supergroup Lo-Tom), and rounded out by vocalist Amon Krist (daughter of renowned folk artist Jan Krist) on the debut, the band employed a trio of lead vocalists for their more accessible and also edgier sophomore effort Of Color Bright.… Continued →

One of the longest-running indie/alternative bands in the Christian scene, The Choir emerged in the 1980s initially as Youth Choir, shortening the name after the release of one album and one EP. The band formed in 1983 and were instrumental in the early 80s Calvary Chapel scene in Southern California, that also included stalwarts like Undercover, Altar Boys, and 4-4-1. Where some of their counterparts flirted with punk and harder alternative sounds, The Choir’s sound rarely ‘rocked’ so much as it created atmospheres and layers that have never been easily pigeonholed into any particular scene or sound and yet have toyed with dream pop, indie pop, and at times even shoegaze.… Continued →

A rising indie band from Nebraska called Salt Creek, made a lot of waves and significant buzz on the underground scene for a number of years and they just earned their spot among a lot of great bands on legendary Seattle based label – Tooth & Nail Records. The label just released the band’s label debut EP titled “Our Own World”, through all digital networks and streaming sites. Give it a listen and comment with your thoughts. For fans of Basement, Balance and Composure, Teenage Wrist, Superheaven, and Citizen.… Continued →

Veil of Ashes was a college rock band from Oakland, California, who debuted with the critically-acclaimed album Pain on Graceland Records (an imprint of Frontline) in 1989. While they had started out as a post-punk outfit with goth leanings, most of that influence had faded by the time their debut hit. A second album The Young and the Reckless: The Regression of Veil of Ashes was released on Blonde Vinyl in 1992, but it was actually a retrospective release of earlier demos. That same year the band shortened their name to Veil and released their final studio album (before taking a long hiatus and re-forming in the late 90s) Mr.… Continued →

Today’s Song of the Day post (by me, Brandon) is none other than Value Pac, a short lived and mostly “90’s” exclusive, pop-punk act. The band got their humble beginnings in 1995 here in Orange County, CA. I first heard of the band with a demo tape under their original name, One by One at a show I went to in Tustin, CA. circa 1995. The band played raw (sometimes rough) pop-punk that would please punk purists and pop fans at heart. It was the perfect blend of poppy melodies over a garage-y like sound mixed with the sun soaked beaches and concrete jungle of Southern California.… Continued →

Starting this new year off right with some fun ska music from B.U.C.K. (building Up Christ’s Kingdom) aka Buck Enterprises. This Detroit, MI six piece band released a few albums before disbanding. I remember writing a college paper on ska & B.U.C.K would be classified as 3rd wave ska. Their 1998 self-titled release featured more horns than the second & featured a cartoon character which appeared to be skanking in a raincoat while holding up a checkered black & white ball which are the normal colors for ska music.… Continued →

Don’t you hate it when an amazing band releases one stellar album and then disappears off the map leaving virtually no trace whatsoever? That’s more or less what happened to Minnesota’s The Swoon. This intelligent, artsy, literate (one of the band’s song titles is a Dante reference) band made up one third of Christian jangle-pop’s ‘holy trinity’ (also including The Throes and The Walk). Their debut album was released on Narrowpath Records, in conjunction with Refuge (the obscure indie label also released such classics as debuts by Breakfast with Amy and The Crucified), and was made up of two earlier cassette-only demos, ben son, ben son Beatrice and Neverland, the latter of which was produced by Charlie Peacock.… Continued →

Mad at the World went through at least three distinct phases throughout their history, which impressively spans across 4 decades: synth-pop/new wave, hard alternative rock/metal, and retro rock/alternative. We’ve already featured a song from their synth-pop era, and here’s one from their hard alternative phase, but one that interestingly enough hints at their retro phase that would be unleashed in 2 more albums’ time. Both of the songs I’ve chosen from the Rose brothers have spoken words of encouragement to me when I needed them. Let’s face it: 2020 has largely been crap.… Continued →

Not much is known about this band, who released one album for major label Curb Records in 1997, called Yours Truly. They played a fairly straight-forward brand of alternative rock that hinted at grunge without ever fully going to Seattle. The lead single was “Low,” with its provocative chorus: I’m wasted! I’m wasted! I’m wasted . . . without You!” While the song might have raised eyebrows among critics of faith-based rock music, the lyrics hit home for some. I remember playing the song for a friend of mine, who at the time was not a fan of anything hard or heavy.… Continued →

Besides having the two most awesome two names put together at one time, this band rocked. The two man band was Walter Paul Robinette & Rick Eugene May! At a time when alternative music had taken a major foothold in Christian music (starting with Undercover), this group was seen on Christian music television channels with their rockiest song: Crawl. If you haven’t noticed my posts, I tend to look for music that is hard to find to bring back the sounds & lyrics that made me come to enjoy “Christian rock” music.… Continued →

WM was a brief rapcore band reminiscent of American Made. Hailing from my old stomping grounds in South Carolina, I first heard of them on a Christian indie rock show. Their 1999 LP was released on DTS after they released their first demo in 1998 on cassette. DTS comprised an eclectic artist list ranging from Paul Noel Stookey to .hopesfall! Their driving song “Kingdom” from that LP Nobody Loves Me explodes with the line I Wanna Go… To Heaven! Enjoy… Continued →

One might think of the term Jesus Music as the early days of Christian music originating from the Jesus movement. But, Jesus Music the band is one that released 2 albums in the late 90s: Flowers in the Storm & 3D. Their music is upbeat quirky fun music reminiscent (at least to me) of Hokus Pick. Their second album produced a cover of Steppenwolf’s “Born to Be Wild”. Both albums even have dance remixes (90s style) if that doesn’t get you stoked. Here is their very first radio single & the first track to the first LP “The Box”.… Continued →

You’re probably tired of hearing it, but these are strange times we’re living in. How could any of us have been prepared for the reality in which we find ourselves? I don’t know about you but I’ve read a lot of dystopian fiction and watched a ton of post-apocalyptic films. Neither of them are all that helpful in our current scenario. But you know what is helpful? Hope. Friendship. Solidarity. Though the song touches on a depressing topic, it is ultimately these themes that emerge. Listen to the urgency with which Steve Taylor croons: If it all comes true And our dreams fall like bombs from the blue Oh!… Continued →

The Crucified is probably the most legendary Christian hardcore band of all time. They only released 2 full-length albums (plus some demos, and later re-issues) before disbanding in the early 90s. However, their influence cannot be overstated. Their blending of hardcore punk and thrash metal into a unique take on crossover thrash touched and influenced bands in genres as diverse punk, alternative, metal, hardcore and even industrial. Their sophomore effort, The Pillars of Humanity was heavy, fast and bold. And it wasn’t just the music. They lyrics hit hard as well.… Continued →

In the late 80s/early 90s I was a straight-up metalhead. Thrash was my favorite variety, but I dipped into other stuff as well. But I had started developing a taste for punk too. The pace and beat of hardcore punk was actually very similar to thrash, but with different guitar tones. Bands like Nobody Special, The Lead, The Crucified, and even Breakfast with Amy opened me up to new possibilities in edgy music. Then along came the album Poplife by the Lifesavers. I’d only been into Christian rock since ’88, so I knew nothing of Michael Knott’s history (or the many other incarnations and alter-egoes of his various projects).… Continued →

Folk really has to have something special if it’s going to catch my attention. Sure, there are a lot of great artists out there, but there are so many that it’s hard to stand out. A unique vocal, guitar prowess, or lyrics that hit that spot right in your gut that makes you either want to cry out at top of your lungs, or just really and truly live. Harrod and Funck managed all of that (their Mark Heard-produced full-length Dreams of the Color Blind is worth checking out in full if you like this style).… Continued →