September 4, 2020
Boreas is far from a gentle, stereotypical winter-themed release. It has been tested by negative-degree temperatures. It has been refined in a viking furnace. It sees the Heaths adorned in makeshift bear pelt armor ready for battle. The Oh Hellos may have been in hibernation, but they've woken up roaring.
September 2, 2020
I remember my first encounter with John Lucas – his eponymous A Thousand Cathedrals feels like it’s from a different era now, as he’s has gone from an under-the-radar act to boasting almost a quarter-million monthly listeners on Spotify. Though he plays only a handful of shows a year, his music is making the rounds.… Continued →
August 25, 2020
"He healeth the broken in heart, and bindeth up their wounds." -Psalm 147:3 Spirit Filled Post Hardcore act, Idle Threat. have released their Tooth & Nail debut "Nothing Is Broken For Good" full of passion, heart, and faith. RIYL: My Epic, Household, Paperweight, Arms for Elephants, and Trainwreck-era Boy's Night Out
August 14, 2020
August 12, 2020
Kevin Schlereth is a certified dude. His existence strides the line between nomadic and genius. He sports a bushy mustaches and wears dad hats and red shorts. Along with compatriot Jay Costlow, and with the rest of the Schlereth clan in tow, this musical collective is rarely in stasis (save for the past few months).… Continued →
July 25, 2020
Roemer is a stripped-back acoustic/indie folk project. If you’re anything like me, folk has to be some really special to catch my attention—a quirky vocal style, effective use of harmonies, skilful playing, or best of all hard-hitting and/or poignant lyrics. If it has one or more of those, I’m more likely to pay attention.… Continued →
July 16, 2020
In spite of its title, Imbalances feels balanced lyrically, melodically, rhythmically, and spiritually. It's an incredibly impressive album that feels so fresh and unique compared to most modern bands. It's artful but not pretentious. McCaw speaks with both wisdom and humility. The songs flow dynamically but it always feels natural. If you're a fan of complex bluesy prog-rock then this album definitely deserves a listen.
July 2, 2020
Mo(u)rning is a very middle-of-the-road release. Its pop sensibilities give it a bit of a vanilla flavor - you probably won't dislike it, but it won't be your first pick, either. It's inoffensive; its subject matter is commonplace.
July 1, 2020
It'd be an understatement to say A Line in the Sand is highly-anticipated. Many IVM readers have supported the band since their inception, and our vicarious connection here has culminated to something truly exciting. This is the kind of album we deserve from American Arson - one that balances the best of their catalog with a insatiable hunger for growth. It's a lyrically-bold album which never obfuscates what it's trying to say. And while it takes a few listens to take everything in, A Line in the Sand is an ambitious debut LP that will not disappoint.
June 5, 2020
I’ve reviewed 3 different releases from Shadow Puncher (for 2 different publications), and one of the things I’ve noticed is the diversity of sounds and influences on each project. While the one-man band from Norway functions within the death metal genre, each release has a different feel.… Continued →
May 31, 2020
This is without a doubt, the BEST release of 2020 (so far) and the best music I've heard in the past 5 years. How can I make such a bold claim? Well my taste is really just objective and entirely my own but everything about "I'm a Wreck" screams quality. From the production and full sound heard throughout the entire full length, to the graphic art of cover and included designs, to the songwriting, lyrics, substance, and overall vibe of this record. I can't believe I'm saying this but Nate Parrish has created one album that will be tough to beat in the years ahead. You wan't explosive, in your face, heart on the sleeve, roots rock n' roll with a strong punk undercurrent, then this album is for you.
May 27, 2020
Two Years in the making, Prescott, AZ's own Spirit Filled Skate Punk act, Reliance, have returned with an 8 song release full of scripture based anthemic sing alongs! FFO: Pennywise, Millencolin, Lagwagon, and other 90's era skate punk
May 23, 2020
A little over a year ago, I wrote a review for “Heart Attack” by new(er) nu metal band, Relent. Recently, the band has re-released the ep on Rockfest Records and so, I thought I’d re-review the re-release. Without looking back to the review done last March, let’s revisit “Heart Attack”, including the newly added tracks.… Continued →
May 16, 2020
RIYL: Attalus, The Classic Crime, Cool Hand Luke, classic Emery
March 22, 2020
DENS have released a behemoth of a concept album that solidifies them as one of the hottest upcoming bands on the Facedown roster.
February 22, 2020
Second to Safety's second album presents an intricate narrative in the form of nine genre-defying tracks.
February 12, 2020
High energy melodic, synth pop punk goodness! FFO: Veronica, Eleventyseven (early), Karate High School, Yellowcard, Nofx, and Green Day!
January 24, 2020
To brush my bangs to the side, or not to, that is the question. For some, emo means The Jazz June, but for others, it means Hawthorne Heights … ad infinitum. While emo is a genre that is difficult to define, I would say that Chase Tremaine combines emo, indie, and pop—think Mae or Number One Gun.… Continued →
January 23, 2020
Huntingtons are back with their first new album of recorded material in 17 years—their 8th full-length overall. This time around the band comprises Mike Holt (vocals/bass) Jonathan “Cliffy” Walker (guitars/vocals) Josh Blackway (guitars/vocals) and Chris Eller (drums). While the band has been known for its admiration for the Ramones, the first thing that struck me about Muerto, Carcel o Rocanroll is how much less obvious their worship for the leather-clad New Yorkers is this time.… Continued →
January 14, 2020
It’s wild when a new band appears in the music scene and blows away the competition. That’s the case with What’s Your Damage? Generating powerful old school punk that harkens back to a classic ’70’s style. What’s Your Damage? is drawn into the top slot by the ultra talented vocalist, Quinn.… Continued →
December 7, 2019
November 24, 2019
It wasn’t long ago that GFM announced an acoustic ep, set for release on December 1st. With the release date being just about a week out, I thought I’d tap out a quick review on it. I was fortunate enough to have caught the band’s recent show at the Space Coast State Fair in Melbourne, FL.… Continued →
With the development of the black metal genre into an ever-splintering family of subgenres (symphonic black, atmospheric black, blackgaze, folk black, traditional/harsh), there’s been a lot of room for diversity. However, and probably as a result, those artists who take the traditional sound have become fewer and fewer.… Continued →
November 22, 2019
Glass Age's debut EP is an exciting resurgence for the gentlemen of Abandon Kansas.
November 19, 2019
Although bands like My Epic, Abel, The Ember Days, and Ascend the Hill have been incorporating elements of post-rock, ambient, and experimental pedal usage into their sound for ages, it’s the sort of thing that was bound to cross into the mainstream eventually.… Continued →
November 1, 2019
“Damn” is the only curse word you’ll hear on Kanye West’s latest album.* Jesus Is King is gospel rap, and not only in the usual sense. With the help of the Sunday Service Choir and Fred Hammond, the gospel influence is potent; although rhymes and beats are present, the latter are especially minimal.… Continued →
October 28, 2019
For fans of: As Cities Burn, Tiny Moving Parts, Mansions
October 14, 2019
Longtime metalcore band The Devil Wears Prada is back with an incredible album that should be the surprise of the year. Let’s be honest, metalcore has become somewhat predictable with only a few bands making quality music. Even still, it’s become stagnant as there has been very little growth in the genre over the past decade.… Continued →
September 13, 2019
Two thousand and nineteen has proven to be quite the year. One day, a bunch of rowdy hooligans on Facebook are planning how best to invade Area 51, and the next, there’s a War of Ages occurring on planet Djent. Void places an emphasis on groove, which is kicked into full gear by track three, “Blood of the Earth.”… Continued →
September 7, 2019
I usually like to have some Kenny or Dolly playing on the turntable in the background as I start writing a review. It gives me the inspiration I need. NOT, but now that I have your attention I must point out that the opening track to this album comes blazing off the starting line at full speed.… Continued →