Reviews

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July 2, 2020

July 1, 2020

American Arson - A Line in the Sand

American Arson - A Line in the Sand

It'd be an understatement to say A Line in the Sand is highly-anticipated. Many IVM readers have supported the band since their inception, and our vicarious connection here has culminated to something truly exciting. This is the kind of album we deserve from American Arson - one that balances the best of their catalog with a insatiable hunger for growth. It's a lyrically-bold album which never obfuscates what it's trying to say. And while it takes a few listens to take everything in, A Line in the Sand is an ambitious debut LP that will not disappoint. 

June 5, 2020

May 31, 2020

Nate Parrish - I'm a Wreck

This is without a doubt, the BEST release of 2020 (so far) and the best music I've heard in the past 5 years. How can I make such a bold claim? Well my taste is really just objective and entirely my own but everything about "I'm a Wreck" screams quality. From the production and full sound heard throughout the entire full length, to the graphic art of cover and included designs, to the songwriting, lyrics, substance, and overall vibe of this record. I can't believe I'm saying this but Nate Parrish has created one album that will be tough to beat in the years ahead. You wan't explosive, in your face, heart on the sleeve, roots rock n' roll with a strong punk undercurrent, then this album is for you.

May 27, 2020

Reliance - Running

Two Years in the making, Prescott, AZ's own Spirit Filled Skate Punk act, Reliance, have returned with an 8 song release full of scripture based anthemic sing alongs! FFO: Pennywise, Millencolin, Lagwagon, and other 90's era skate punk

May 23, 2020

Relent - Heart Attack (Revisited Review)

A little over a year ago, I wrote a review for “Heart Attack” by new(er) nu metal band, Relent. Recently, the band has re-released the ep on Rockfest Records and so, I thought I’d re-review the re-release. Without looking back to the review done last March, let’s revisit “Heart Attack”, including the newly added tracks.… Continued →

May 16, 2020

March 22, 2020

February 22, 2020

February 12, 2020

January 24, 2020

Chase Tremaine - Unfall

To brush my bangs to the side, or not to, that is the question. For some, emo means The Jazz June, but for others, it means Hawthorne Heights … ad infinitum. While emo is a genre that is difficult to define, I would say that Chase Tremaine combines emo, indie, and pop—think Mae or Number One Gun.… Continued →

January 23, 2020

Huntingtons - Muerto, Carcel o Rocanroll

Huntingtons are back with their first new album of recorded material in 17 years—their 8th full-length overall. This time around the band comprises Mike Holt (vocals/bass) Jonathan “Cliffy” Walker (guitars/vocals) Josh Blackway (guitars/vocals) and Chris Eller (drums). While the band has been known for its admiration for the Ramones, the first thing that struck me about Muerto, Carcel o Rocanroll is how much less obvious their worship for the leather-clad New Yorkers is this time.… Continued →

January 14, 2020

December 7, 2019

Humble Feet

Every so often a reviewer decides to review an album purely out of appreciation for the album that they just heard, and in the case of Humble Feet‘s debut album, that certainly holds true. For those unfamiliar with them, Humble Feet is an acoustic husband-wife duo.… Continued →

November 24, 2019

Anima Mortuum - Morbid Temple

With the development of the black metal genre into an ever-splintering family of subgenres (symphonic black, atmospheric black, blackgaze, folk black, traditional/harsh), there’s been a lot of room for diversity. However, and probably as a result, those artists who take the traditional sound have become fewer and fewer.… Continued →

November 22, 2019

November 19, 2019

November 1, 2019

Kanye West - Jesus Is King

“Damn” is the only curse word you’ll hear on Kanye West’s latest album.* Jesus Is King is gospel rap, and not only in the usual sense. With the help of the Sunday Service Choir and Fred Hammond, the gospel influence is potent; although rhymes and beats are present, the latter are especially minimal.… Continued →

October 28, 2019

October 14, 2019

The Devil Wears Prada - The Act

Longtime metalcore band The Devil Wears Prada is back with an incredible album that should be the surprise of the year. Let’s be honest, metalcore has become somewhat predictable with only a few bands making quality music. Even still, it’s become stagnant as there has been very little growth in the genre over the past decade.… Continued →

September 13, 2019

War of Ages - Void

Two thousand and nineteen has proven to be quite the year. One day, a bunch of rowdy hooligans on Facebook are planning how best to invade Area 51, and the next, there’s a War of Ages occurring on planet Djent. Void places an emphasis on groove, which is kicked into full gear by track three, “Blood of the Earth.”… Continued →

September 7, 2019

August 30, 2019

Bram Cools - We Are Civilised!?

The Belgian lo-fi Christian scene himself, Bram Cools, is back with a fourth album. More quirky weirdness accompanied by lyrics that tackle a wide range of social topics. I don’t know how familiar IVM readers are with this Belgian artist, but Bram makes eccentric lo-fi indie pop/rock with socially-conscious lyrics from a European viewpoint.… Continued →

August 28, 2019

Svarteskerm - Illojala Till Slutet

  The fan base of crust punk may be slim, but the music is significant. Returning to the studio is Sweden’s Svarteskerm. Sung entirely in Swedish, the four song EP, Illojala Till Slutet, delivers a blistering fast and aggressive look at the political and social turmoil found in their native country.… Continued →

August 21, 2019

August 10, 2019

July 27, 2019

Skillet - Victorious

I got my first taste of Skillet in the early 2000’s just after I came to know the Lord. I was drawn to their raw, gritty, heavy sound because, musically, I heard some similarities to Marilyn Manson, a band I’d been a tremendous fan of in my B.C.… Continued →

July 25, 2019

Wolves at the Gate - Eclipse

Coming off of their undeniably best album to date, Wolves at the Gate is back with their fourth release. Eclipse begins with “The Cure,” which was the first single released for the album. Already, lyrics are beaming from the album. “I can taste the misery, spitting out the remedy.… Continued →

July 24, 2019