Author: Loyd Harp

Shamash is one of the few (only?) Christian metal bands from Malaysia. Vocalist/guitarist Andre Chiang has a lengthy history with Christian metal going back to the late 90s with thrash/death metal band Necromanicide, and more recently as a member of the transcontinental act Vultures Gathering. Distinct from those bands, Shamash plays in a hybrid style fusing elements of metalcore, death metal, and black metal to interesting and effective results. “Not by My Heart” opens the album with a mix of metalcore and melodic death metal with some blackened vocals on the verses.… Continued →

Our friends over at The Rumors Are True podcast have reached an amazing marker of 100 episodes! To celebrate the milestone, founder Jeremy Alan Gould chose guitarist Jeff Schroeder for conversation. Jeff’s dense pedigree includes Christian indie projects like Lassie Foundation and the violet burning, as well as mainstream heavyweights Smashing Pumpkins. They discuss the differences and similarities in working in such vastly different projects, while Schroeder reflects on his current and perspective on the current state of the music scene. Click the link below to listen: The Rumors Are True 100th episode featuring Jeff Schroeder… Continued →

This industrial/rock/metal band has been making music since 1996 and has created a slew of albums with varying degrees of electronic elements in their sound. Some albums have had an inclination towards straight industrial, whereas others more hard rock/alternative metal. “So Inspired” is from the band’s early era, dating to 1998 and was included on a number of compilations from both Blacklight Records and Flaming Fish Music. There are a couple of different versions of the song available. This version is taken from the I Wear the Mask album.… Continued →

The “Christian Metal Group” (aptly named) on Facebook is one of the largest social media groups dedicated to the promotion and discussion of Christian heavy metal. The page is taking its support to a new level by sponsoring its first compilation. Full track list was announced this morning, and the compilation (vol. 1) drops next Saturday, September 14th. For more information, check out the page here: https://www.facebook.com/profile.php?id=61564859173268 1. Scapegoat – Stand Your Ground 2. Testimony Of Apocalypse – The Time Has Come 3. Every Thought Captive – Punishment 4.… Continued →

Indiana’s favorite blackened death metal band, Symphony of Heaven, have released a new single, and now a new video to accompany it. Both the song and the video are incredible. Check it out here!… Continued →

The Christian indie scene suffered a great loss last week, losing notable drummer Geoff Riley, known best for his immaculate time-keeping skills in the band Puller. The band was formed by Mike Lewis (ex-For Love Not Lisa, secular grunge/post-hardcore band), and hailed from Oklahoma. Mike posted the news of Geoff’s death, and some very poignant thoughts about Riley’s life and artistic contributions to the independent music scene via Instagram. Because it can’t really be said any better than this, I’m linking the post and including the entire text here: Geoff Riley Instagram Announcement “Hearing the news of my friend and music partner Geoff Riley passing is an overwhelming devastating loss.… Continued →

Breakaway is a one-man oi/punk band from south Texas. In fact, all guitars, bass, “beats” (does this mean a drum machine?) and vocals on Warrior are handled by David Burke. The EP is produced by Breakaway as well, which I assume means Burke again. While this is impressive in many ways, it can also be limiting. We’ll come back to that as a recurring theme on this EP. The tempos, for the most part, are fast and furious, and yet there is a rock and roll undertone to the sounds.… Continued →

Indiana-based melodic blackened death metal band Symphony of Heaven is preparing to release their third album, Ordo Aurum Archeia. The band promises dynamic songs and will feature guest appearances from Hinayana’s Casey Hurd and Pantokrator’s Karl Walfriddsson. Mixed and mastered by Kevin Butler at Test Tube Audio, the album is ferocious and unrelenting. Inspired by Dimmu Borgir, Hypocrisy, and Wolfheart, the album delivers six new tracks from nearly every member the band has ever housed. With the core lineup of vocalist / guitarist Pathøs, bassist Turadh, and drummer Asaph, this release marks the first album the band has released independently.… Continued →

The Christian punk/indie/whatever scene isn’t limited to the United States. I can think of relevant bands from literally every inhabited continent, which is a truly wonderful thing. Punk band Homonovux call Mexico home, specifically the Yucatan region. They’ve released two EPs since forming a few years ago. Their musical inspiration comes primarily from 90s punk rock (new school punk, skate punk, and a little bit of pop-punk too), but their lyrical inspiration is the message of salvation. This point is made very clear on their Bandcamp page (https://homonovux.bandcamp.com/… Continued →

Alternative/folk/pop duo Say-So comprised married couple Jim and Kim Thomas. They had actually been making music together for over a decade when their eponymous debut was released in 1997 for Organic Records. The album featured a fresh take on folksy, rootsy, alternative pop-rock that was ‘light’ enough to appeal to fans of CCM, yet unconventional enough to appeal to listeners with more alternative-leaning tastes. The band’s sound sat comfortably with artists like Sixpence None the Richer (especially their earlier material), Rich Young Ruler, and Five O’Clock People.… Continued →

Audiofeed band submissions are now open for 2025. Ever dreamed about playing Audiofeed to a bigger and broader crowd than your local shows? Here’s your chance! Bands and artists can apply here: Audio Band Submissions… Continued →

Indie pop duo Bon Voyage was a collaboration of Jason Martin (Starflyer 59, and about a dozen others) and his wife Julie on vocals. The project was somewhat accurately described as “Starflyer with female vocals,” which is not inaccurate though not really complete either. Whereas SF59 added layers and layers of guitars and fuzz, Bon Voyage stripped things back to the pop essentials. Julie’s vocals are akin to Julee Cruise, most famous for her work on the Twin Peaks soundtracks. The band released three albums for BEC and/or Tooth and Nail, and we haven’t heard from them since 2008.… Continued →

Possession was a thrash metal band (with speed metal, black metal and death metal tendencies) from Kansas. They released one full-length album and 2 EPs in the mid-90s (as well as a 2-disc compilation of all recordings in 2020), and despite their innovative, genre-bending sound, managed to stay very underground. To evade a controversy with secular metal label Metal Merchant–and some alleged wrongdoing on the part of the label–Possession self-released their recordings, to much critical acclaim but to no commercial success. Ironically, what made them a listener’s and critic’s favorite, yet kept them in the underground, was precisely their unique take on extreme metal.… Continued →

This top-notch emo band came to us from Florida (members called both Tallahassee and Orlando home). They released two singles and two full-length albums in the short span between their formation in 1999, and calling it quits in 2006. But that’s not the full story. Forever Changed stood out from the seemingly limitless pack of faith-based emo bands in the late 90s/early 00s, in a number of ways. They were incredibly musical–complex arrangements, fitting production, and capable instrumentation. And their lyrics/songwriting skills matched the music. They were open and bold in expressing their faith, but achieved the rare feat of not sounding trite, preachy, or platitudinous.… Continued →

I’ve been a fan of Starflyer 59 since the affectionately titled “Silver” (officially self-titled) released in 1994. So when offered the chance to interview Jason Martin in advance of their new album Lust for Gold, I jumped at the chance. Always known for being brief in interviews, he still managed to be substantial in his correspondence. LH: The response to the new single “909” has been incredible so far, with many people commenting how the sound hearkens back to 90s-era SF59 with the later style of vocals.… Continued →

Legendary hardcore band Focal Point, from Northern California, is well-known not so much for the music they created (tragically), but for the groups that had their origin in the quintet. Training for Utopia, Demon Hunter, Nyves, and Low and Behold all trace their origins back to Focal Point at least in part. As important as those connections are, it’s a shame that too few actually remember the music of Focal Point, as it’s probably my favorite of all the aforementioned. They arrived on the scene late in the “new school hardcore” movement of the early 90s as hardcore was becomingly increasingly more metallic, and yet hadn’t fully shifted into metalcore, which would happen a year or two after Suffering of the Masses dropped.… Continued →

Resurrected Divinity Lycanthropy II (Broken Curfew Records) For the uninitiated, Lycanthropy II is essentially a deluxe reissue of the Lycanthropy 4-song EP, but with an additional 5 bonus tracks extending the release to a full-length. Several of the bonus tracks are covers from a wide variety of bands, making this an interesting album all the way around. The album wastes no time getting started. “Suffer With” comes right out of the gate with blastbeats and growls. No lengthy intros needed here. This is old-fashioned death/grind here with lots of tempo changes—alternating superfast blastbeats with slowed-down sludge riffs, and then occasionally incorporating both into a singular section by taking the rhythm section double-time.… Continued →

One of the elders of the Christian indie scene, John J. Thompson, has written a new book. Ballad of the Lost Dogs of East Nashville will be the third title from the author, and his first as a novel. Thompson had this to say about the book: This story is about how music brings a diverse community of characters together – after some profound personal and community tragedies – to accomplish something miraculous when they least expect it. It’s based upon people I have known and pieces of stories I have heard, and is set right here in the community I have called home for over 17 years.… Continued →

Most of us first heard sintax.the.terrific as a member of hip-hop supergroup Deepspace5, a massive rap cypher featuring members of Mars Ill, Labklik, The Pride, and Ill Harmonics. The group’s debut hit stores in 2001 via Uprok Records (the hip-hop sublabel of Tooth & Nail Records). sintax’s first solo album released in 2006 for Illect Recordings, interestingly enough, run by the former head of the short-lived Uprok, Josh Niemyjski. That is, of course, if we don’t count his 2003 indie release. What’s cool about “Moonlighting” is the autobiographical take on being an independent Christian rapper by night, while being a real-life lawyer by day.… Continued →

One of the few bands in the Christian scene that played in the groove metal style (that slightly slower, but just as intense cousin of thrash) was the Canadian band Erase. I remember when Mental Overload first came out and it made a huge impact on the then-stagnating Christian metal scene. The band’s popularity was, in part, owed to Jason Campbell, the ex-Mortification drummer, who was now pulling double-duties on vocals and guitar. Sadly, they only released one album (for David Villalpando, AKA Burrito’s Morphine Records label) before going their separate ways.… Continued →

One of the funnest and most interesting aspects of the Christian indie/punk/metal/whatever scene is that no matter how long you’ve been involved and no matter how much of an expert you may think you are, there are always new–or in this case, old–bands to discover. I found out about The Living via our friends over at Christian Tape Underground, a blog that specializes in unearthing rare and underground cassette tapes and demos from indie bands of all genres. The Living was a great little post-punk/goth rock band with lots of potential.… Continued →

With only 6 months into 2024, it’s already been a tough year for Christian alternative music fans. Joining Brian Quincy Newcomb, Michael Knott and Ezekiel Vade in the heavenly throng is indie champion, journalist and label owner Randy Layton. Randy was the founder and owner of Alternative Records, who put out releases by the Seventy Sevens, Steve Scott, Robert Vaughn and the Shadows, and 2 Pound Planet, in addition to releasing very influential compilations, featuring music by the above artists plus Daniel Amos, Scratch Band (pre-Seventy Sevens), and others.… Continued →

I only discovered this band a few months ago when I acquired a huge box of Christian metal CDs. Sáwol come to us from Finland, which is no surprise considering that nation has the highest number of metal bands per capital out of all the countries in the entire world. For some reason I missed out on them, even though their debut was released in 2010 through Bullroser Records, whom I was familiar with. The CD I acquired was actually their 2007 debut, which I enjoyed immensely.… Continued →

Kevin & Anita Robinson (Viva Voce, Blue Giant) had a short-lived funk/soul project called Francis, that released a split release with Lackthereof about 20 years ago. This project even opened for Fugazi once in North Carolina (talking about indie cred)! The band is releasing a new track (well, sort of)–actually an unreleased track from 2004, which will be available tomorrow (June 27) on Bandcamp or Friday (June 28) on other streaming platforms, thanks to long-time label partner Velvet Blue Music. Kevin is a Middle School teacher in Alabama specializing in Multimedia Production and some of his students created this video for the song.… Continued →

“Gravity” is the second single from the forthcoming I Write the Songs I Need full-length album from indie folkster Good Saint Nathanael. The single still speaks to past traumas songwriter Nate Allen has endured, but there’s clearly now some distance and perspective gained as the songs from the new album are lighter than 5 years ago. “Gravity” is now available for streaming or download. Additionally a video for the song has been released as well. Both can be found on the artist’s Bandcamp page: https://goodsaintnathanael.bandcamp.com/track/gravity… Continued →

Good Saint Nathanael (Nate Allen of Destroy Nate Allen fame) has just dropped a brand new single called “Extension Chords,” in advance of a new full-length which is set to release next week. The indie folk artist has revealed that the new album will have a very different feel than 2019’s highly introspective Hide No Truth. The single can be downloaded via Bandcamp: https://goodsaintnathanael.bandcamp.com/track/extension-chords… Continued →

Let’s get this out of the way. Some of you hate U2 for one reason or another–the ‘pompous’ nature of the lead singer, the ‘self-importance’ of their message, the fact they had the audacity to include a free digital album to people who didn’t ask for it. Others of you will love U2–the ingenuity, the forward-thinking approach to a genre that was struggling when they reinvigorated with new life, and the sincerity with which they tackled a whole host of social issues. Then a few more will be indifferent to the band whatsoever.… Continued →

xREDLINEx is somewhat of a supergroup, from the DIY/independent hardcore scene, featuring ex-members of Zao, 2Minute Minor, October Bird of Death, Blindside (the one from Chicago, not Sweden or Pennsylvania), and several others. The music on Tongue Tied features a throwback sound that is a mixture of late 80s hardcore and mid-90s metallic hardcore. Unlike 2Minute Minor, there is not a strong punk presence, and while there is no metalcore whatsoever, there are some clearly metallic riffs a la 90s ‘chugga chugga’ style hardcore. That’s all cool in my book as that’s one of my favorite subgenres of hardcore, and there seems to be a real lack of the style is the current scene.… Continued →

Every Day Life, commonly known as E.D.L., was an early innovator in the rap-core scene, fusing hip-hop and hardcore into something new, several years before it morphed into nu metal and became ubiquitous on rock radio. The band came from Southern California, and while musically innovative (our featured track also has a slight nod to industrial), they were also not afraid to touch controversial subjects in their lyrics, especially those related to racial relations in the United States, and other social topics and justice-related issues. Their debut album cover featured a scene from the L.A.… Continued →

Dream pop darlings Slow Salvation have just released a brand new single. The duo wowed listeners last year with their dreamy shoegaze full-length, Here We Lie. The new single is over 6 minutes of layered musical bliss. Check it out on bandcamp: https://slowsalvation.bandcamp.com/album/call-a-friend… Continued →