Author: Casey Gallenberger

“Is It Far // Or Is It Close” Due 1/1/18 Minneapolis-based indie act Author has announced their first new album in just about three years. “Is It Far // Or Is It Close” is due 1/1, but the band has set up pre-orders and has three tracks up for preview. “IIFOIIC” sees Author dabble with the ambient, post-rock leanings found on their debut, “Of Brighter Days”, this time incorporating some electronic elements as well. Add in the band’s penchant for technical, noninvasive drumming and they’re set to open up 2018 on a strong note.… Continued →

Although Abandon Kansas dropped off the map for several years after the release of “Alligator”, they’ve returned with a deluxe edition of their 2007 album, “You Build a Wall, I’ll Build a Ladder”. It contains the original track listing along with demos, acoustic versions, and other sundries. You can check it out below or on most other digital outlets: … Continued →

Acoustic/spoken word/rock project Wind Words has released his debut album, Digging Up Earth, produced by Mark Nicks of Cool Hand Luke. … Continued →

The Welcome Wagon returns with a strong orchestral folk follow-up to 2012's "Precious Remedies Against Satan's Devices".

Mark Mathis' latest EP is a refreshing blend of folk, alternative, and worship.

Harp & Lyre's aggressive 2012 finale deserves some time in the light.

If this is the first time you’re reading about Nashville’s explosive dance-rock trio, Medic, let me first direct you to a few other articles: A review of their 2016 full-length and their previous single, Smoke. For those who have been following the band for any length of time, their sound has developed from traditional indie pop into a more refined, darker synthetic wall of reverb. It’s moody, summery, and introspective. I’m excited for the next proper release, but until then, check out Wander below.… Continued →

Eclectic electronic rap-rock project SMOTZ has resurfaced with a new single in anticipation of his new album, “Ghost Boy”. Listen below. WARNING: VIDEO CONTAINS FLASHING IMAGES … Continued →

We're proud to celebrate the (second) one-year anniversary of IVM. Take a look at some of our most-read content and share your own memories.

Hotel Books' latest release manages to hit me where it hurts the most.

Beautiful Eulogy's anticipated third full-length is out - but weak hooks and some filler keep it from being an instant favorite.

Latifa Alattas (Page CXVI) released an explosive progressive art-pop album in 2016 under the moniker of Moda Spira in 2016. Check out just what you've been missing.

The one-man band of Ryan O’Neal has released the latest installment in his Atlas series which has been going on the past several years. The next release will feature the nine enneagram types and this single coincides with the first type. Listen below and keep up with Sleeping at Last on Facebook. … Continued →

"In Prayer" is a soothing and succinct release from the husband-wife duo Salt of the Sound that expands on their signature elements.

Sink In's debut album is a perfect answer to long-time fans. If you're in denial and still looking for a summer soundtrack, keep OPET in mind.

autumnboy has crafted a strong melodic hardcore EP, featuring a strong guest feature from Chris Bernstorf.

South of Royal debuts a hazy and bright worship EP saturated in synth-rock and 80s influences.

Check out an exclusive interview with Stefan Tomlinson of Stemson and Archabald where we discuss his new album, touring, and Taylor Swift (recorded prior to the release of her new single). https://soundcloud.com/indievisionmusic/an-interview-with-stemson-by-casey-gallenberger-of-ivm… Continued →

Kings Kaleidoscope defies convention on this mixtape release, featuring a new direction in sound and guest appearances from Braille, Andy Mineo, Beleaf, Propaganda, and Derek Minor.

Dallas indie rock outfit Little Image emerges with a vibrant and dynamic debut that blends influences of From Indian Lakes with elements of ambient and traditional emo.

In this new segment, we'll take a look at a classic band and a modern band with a similar style.

It has been a couple lengthy years since indie-pop outfit Gdansk released any new music. However, singer/multi-instrumentalist Timothy Mann is back with a new EP that diverges from the airy, electronic pop sound of Gdansk, favoring a brooding, weighty post-rock/drone ambience. Check out “Beatitudes” below: … Continued →

Medic has unveiled “Smoke”, a hazy indie pop track, that you can check out below. For fans of Copeland, Author, Polyenso, and The Weeknd. … Continued →

We had a chance to speak with Phil Chamberlain for To Speak of Wolves in preparation of their upcoming album (out TOMORROW). IVM: Hey Phil, thanks for taking some time to talk. 2016 saw the release of “New Bones” on Cardigan Records and “Dead in the Shadow” is coming up quickly. This all follows years of years of silence. How have things changed for the band, be it lineup, personal lives, or musical influences? Phil Chamberlain: We took a few years off to pursue matters in our personal lives so when we got back together in 2016 we kind of exploded out a ton of music in a short amount of time.… Continued →

Little Image has released the second single off their upcoming album, “Musings”, which you can listen to below: … Continued →

Servants' latest EP showcases relentless energy with a familiar blend of melodic hardcore and classic punk elements.

In preparation of their upcoming album “Musings”, Dallas ambient indie quintet Little Image have debuted a new single, Cardboard Box Spaceship, available now on all major streaming outlets. Recommended for fans of SONS, The Rocketboys, Least of These, My Epic, and Come Wind. … Continued →

Stemson's ambitious thirteen-track sophomore release covers plenty of ground with its unique blend of rap, electronic, rock, and progressive elements.

Gaffer Project's first full-length is a promising emotional hardcore release that touches on elements of Attalus, Hotel Books, and Rival Choir but ultimately feels disjointed musically.

It has been years since A Hope for Home served us an album. I remember when “In Abstraction” dropped my freshman year of college. I got the email my preorder had shipped and it was the highlight of the week. Of course, that’s quickly approaching six years ago now. I’ve had plenty of time to listen to their discography and have actually found it to be their weakest album; on the same token, “Realis” is quite possibly one of my favorite albums ever and “The Everlasting Man”, despite its stylistic consistency, is also a pretty great album.… Continued →