Song of The Day

Aleixa is one of my favorite artists of all time.  comprised of 1 guy & 2 girls, this band inspired my love for industrial music along with Circle of Dust, Deitiphobia & Mortal. This is the first I ever heard from them way back in probably the early to mid 90s.   … Continued →

When Bloodgood’s lead guitarist left the band to go solo, fans of the 80s metal stalwarts weren’t entirely sure what to expect. We probably assumed more heavy metal–at least that’s what I expected. And while there is certainly some hard rock (almost glam metal) at times, The Other Side was much broader in scope. The album showcased Zaffiro’s excellent guitar work, as we’d already become familiar with through three albums with Bloodgood: Bloodgood (1986), Detonation (1987, often hailed as the band’s finest effort), and Rock in a Hard Place (1988).… Continued →

Tantrum of the Muse is a band that can be hard to define, including their lyrics & sound. I would suggest soundwise post hardcore, but with a prog & punk twist. Their label was the same whose roster included early Underoath & Narcissus. After the band’s break up, the members joined other notable bands  such as Hand of Fire & Huntingtons & OnceDead. … Continued →

If you’ve followed my writings for any amount of time, it’s not hard to discern my love for all things shoegaze, dream pop and the like. One of the best in the game was the mysterious LN. I was never quite sure if it was a band, or a solo project masquerading as a band. Sure, it was fairly well known that Gary Murray (who later recorded as Gary Murray and LN, and then just as Gary Murray) was the principal of the band, but not as clear who else was involved or at what level.… Continued →

I don’t know why it took me so long, but recently a very simple thought has helped me out immensely in my spirituality and my walk with Christ. It’s simply this: choose love. That’s it. When I am tempted to sin, choose love instead. When I want to be selfish, choose love. When I want to do something that would only please or elevate myself and not others, choose love. Mike Stand was singing about it decades ago. And of course, the ultimate trump card here is Jesus himself.… Continued →

This quirky alternative rock band released one independent EP and one full-length for Broken Records (also home to Undercover, The Holidays, Adam Again, etc.). While their normal material was interesting, to my ears the most compelling thing they recorded was a song for the Broken Christmas project, called “Born in a Stable.” While technically a Christmas song, it does a great job of pointing to Jesus’ purpose for coming to save us, by tracing the story of Jesus’ life and ministry all the way up to the empty tomb.… Continued →

One of the very few true “screamo” bands in the Christian scene (not just melodic hardcore/emo-core), Fable only released 6 songs in their entire career–4 on their 7″ Give Us the Night (through the legendary Takehold Records), 1 on the hardcore compilation A Testament to Broken Walls, and 1 on a split with secular screamo band Mara’akate. Band members were only 15 when they started playing together in their hometown of Holland, MI, but they quickly made a huge impact in the underground scene. Unfortunately they fizzled out too quickly and left us with only these 6 songs.… Continued →

I remember when I first heard this song. It was on the Tooth & Nail Songs from the Penalty Box compilation, amidst other songs ranging from pop-punk to hardcore and everything in-between. But Blindside was hard to peg. It was heavy and raw, and kind of hardcore, but not really. There was a mild rap influence in the delivery, but it wasn’t really rapcore either. Post-hardcore hadn’t really occurred to me as a category yet. The band put the song on their debut, self-titled, full-length album and a year later released a second–both albums on Tooth & Nail/Solid State.… Continued →

San Francisco-based goth band BATZZ in the Belfry are relatively unknown in the mainstream, but that is a real shame. They combine “unashamed traditional old school goth” with ethereal dream pop, and even hints at shoegaze at times. I suppose this puts them in the realm of darkwave. Take “Touch the Stars” for instance. The song would easily be at home on a Metropolis or Projekt Records compilation alongside Sisters of Mercy, Love and Rockets, or Love Spirals Downwards. The song could almost fit on the Twin Peaks soundtrack as well.… Continued →

Welcome to the best band you’ve never heard of. Enemy Ships (FKA The Emergency, not to be confused with The Emergency, AKA Ten-33) was a sort of supergroup with members from Christian alternative heavyweights like Jason Martin (Starflyer 59, Bon Voyage, Neon Horse, etc.), Dirk Lemmenes (Stavesacre, Focused), Ryan Denne (Stavesacre), Travis Zimmerman (Jupiter James), and Frank Lenz (Fold Zandura, Frank Lenz, etc). The band recorded an album for mainstream Atlantic Records entitled The Emergencyin 2007, but sadly it was never released. Stylistically the band play rock and roll, but with a punk energy and aesthetic.… Continued →

It’s time for some industrial! But not the guitar-heavy metallic brand. The November Commandment (or often Nov*Com) were doing EBM/electro before it was trendy–or even before it was called that. Hailing from Sweden, the band emerged with an independent cassette in 1988 called Complete Structure. The tape featured a minimalist sound driven by synthesizers, not too unlike Coil and some of Wire’s more experimental material. They released another cassette in 1991, this time a 5-song EP. The band made their appearance in the consciousness of American fans via the fantastic SLAVA compilation, Voice of the People, co-released through Blonde Vinyl Records.… Continued →

For our Song of the Day this time, let’s dig deep. While I often get stuck in the 90s (admittedly a great era for faith-based musical excursions), let’s not forget that Christian rock goes back *at least* to the 1960s (or arguably earlier if we include Sister Rosetta Tharpe). Not a lot is known about Gidians Bible (sic.), but what is known is fairly significant. Take a closer look at the band photo, particularly the vocalist on the far right. That’s then-future Petra vocalist Greg Volz.… Continued →

I’ve said it before and I’ll say it again, Sin Disease is one of the greatest albums ever to emerge from our scene. Romald Domkus (born Allan Aguirre) and company unleashed a wonderfully chaotic debut album, with production from Terry Taylor (DA/Daniel Amos/Swirling Eddies/Lost Dogs) that set CCM on its head! Think I’m overstating things? Not possible. Here’s why: have you ever tried to pigeonhole the album, or this band, into a single genre? Good luck. Take equal parts hardcore punk, reggae, goth, glam rock, and heavy metal, and then top the whole thing off with a weird experimental noise track lasting over 7 minutes long.… Continued →

The one, the only, the legendary hardcore band from Tulsa, Oklahoma. Mr. Bishop’s Fist only released one 3-song demo, and had 2 compilation appearances, before they broke up and moved to the Pacific Northwest. So why include the band here when they made such a small impact? Well, despite their limited output, the band actually had an incredible impact. First, because the songs were so good, so brutal, so raw and real, fans and collectors to this day still talk about the band. Second, members of the band wound up in a number of other bands that were equally influential.… Continued →

I’m sure a few of you have been wondering when I was going to eventually get around to covering this important band. Well, wait no longer. Mortal’s roots were in a similarly-named synth-pop project called Mortal Wish. While that version of the band showed promise, it only hinted at the greatness that was to come after a minor name change and a huge change in direction. (FYI: downloads of 2 different Mortal Wish demos are available online if you know where to look for them!) The mysteriously-titled (Lusis means “freedom”), dark and brooding debut hit stores in 1992 via Intense Records, the first in the industrial genre for the otherwise exclusively metal label.… Continued →

Among the plethora of pop-punk bands in the Christian scene, Slick Shoes were one of the best, probably top 5 out of hundreds. Formed in 1994 in Southern California (like most Christian pop-punk bands), they released their debut EP for Tooth & Nail in 1997, then proceeded to release 6 full-lengths, a split with mainstream band Autopilot Off (FKA Cooter) and a live album. The band won a lot of points with me by taking their name from one of my favorite movies of all time, The Goonies.… Continued →

There is simply not enough hip-hop on this site. Let’s fix that! I grew up in a small, very monochromatic town in Oklahoma, where most of the people had my skin color. In that part of the world, there were two kinds of music–country and heavy metal. In the 80s, a few of my friends who were more hip had started getting into this new “rap music” that I knew very little about. But growing up in a country-western family and then discovering rock on my own, I wasn’t really predisposed to listen to rap.… Continued →

Havalina Rail Co. was a delightfully quirky, eccentric, genre-fusing and genre-bending experimental band from California. Across their 10-year career (give or take), the band dabbled in folk, ska, jazz, ragtime, blues, Americana, surf, and multiple internationally-themed genres. No two albums in their canon treads the same ground, and yet each successive opus is clearly recognizable as Havalina. The band stopped recording as HRC somewhere in the early 00s, but members have turned up elsewhere. Most notably are Matt Wignall who is a renowned photographer and is perhaps now best known as the producer for several Cold War Kids albums.… Continued →

Wonderfully noisy, and delightfully obscure, The Lonely Now only released 3 full-length recordings in their short career: —Captive, 1986, Narrowpath Records (cassette only) —Original Intention, 1987, Narrowpath Records (cassette, LP) —Honest Tear, 1990, Narrowpath/Refuge (cassette only) While all of their releases are somewhat difficult to obtain, ironically their final album–the only one with national distribution through Refuge–is the most difficult. It was released through the same agreement as debuts by The Crucified, Breakfast with Amy, and The Swoon. In fact, founding member Greg Sostrom (AKA Greg Strange) was the owner of Narrowpath Records.… Continued →

Swiss band Morgarten are back with a new full-length album, this time on Inner Wound Recordings. The album is called Cry of the Lost and was released in June. While the band still plays in the folk metal genre overall, the new material is heavier than their debut, and features more prominently the elements of black metal and some of the fantasy/epic battle elements of power metal, as evidenced by the accompanying music video. Slight warning: while the band’s lyrics clearly use battle stories to paint an allegorical picture of spiritual warfare and Christian spirituality, there are some moderately graphic fight scenes in the video.… Continued →

Hey, I get it. 80s metal is a love or hate thing. Many IVM readers are fans primarily of pop-punk and related genres. The thought of dudes in make-up, hairspray and spandex just seems like a bad joke. But for those of us who were there, it comes with a heap of nostalgia, and occasionally some good tunes too! It’s a shame, but Watchmen never quite got the level of attention that some of their peers received (Whitecross, Guardian, Holy Soldier), perhaps because of the brevity of their career.… Continued →

Contemporary Celtic band Iona have been making music since their eponymous debut released in 1990. Fusing traditional Celtic folk instruments (flutes, whistles, bodhran drums, etc.) with jazz and progressive elements caused them to stand out from their other contemporary Celtic peers. Albums from the band commonly featured worshipful tunes (“Treasure” for instance, from their third album Beyond These Shores or “Revelation” from the second one, Book of Kells), traditional Scots-Irish tunes, as well as lengthy instrumental songs, or instrumental sections within songs. One of the most stunning examples of the latter is “Bi-Se I Mo Shuil” (Irish Gaelic for “She is My Eye”), from their fourth album Journey into the Morn.… Continued →

Fluffy’s debut, Fluffy Luvs You, was a fun punk rock record, even if it was a little predictable. Featuring 3 chord thrash goodness, and nonsensical lyrics, it stood out in the Christian punk scene for its lack of preaching. So fans and critics alike were a little puzzled when the band dropped their sophomore effort, Go, Fluffy, Go! In place of the fast, simple riffs, were long, slow songs that juxtaposed indie rock, sludge metal, and noise rock–something that wouldn’t be seen in CCM by another artist for another 5 years (yes, I’m thinking of Warlord’s EP, from 1997).… Continued →

I first heard Nobody Special in 1989. My local contemporary Christian music radio station (KOKF 91.1 FM out of Oklahoma City) played their new album in its entirety over the airwaves. You see, KOKF was not your average CCM station. Sure, they played some adult contemporary and “inspirational” stuff during the daytime, but as the late afternoon and evening hit, they would feature more contemporary styles including pop, rap, rock, etc. And then after 9:00, it was all heavy music–mostly metal, but with some punk and hardcore thrown in from time to time.… Continued →

You might be familiar with Sally Grayson’s name due to her collaborations with The Blamed–lending her vocal cords on their cover of the scaterd-few classic “U” (for their Quarantine Days project), or for her contributions to “Away in a Manger” on 2020’s Christmas album. The scaterd-few cover is where I first became familiar with her work. Or you might recognize her from her Ted Talk on creativity (https://www.youtube.com/watch?v=ia2ldxK2rF0), or as a member of post-punk outfit Black Swift. Or perhaps you’ve been lucky enough to catch her on tour with two other femmes de puissance Tess Wiley (solo/Splendora/Phantasmic/ex-Sixpence None the Richer) and Kat Jones.… Continued →

I first heard L.S.U. in about 1991. I had been a pretty staunch metalhead, but a few alternative rock bands were starting to open me up to new colors in my musical palette. While the experimental This is the Healing was the first album I heard from them, The Grape Prophet is a favorite of fans and critics alike. The album was one of the first and only concept albums, or “rock operas” as band leader Michael Knott liked to call them. The Grape Prophet tells the story of Ellis, an orange picker who works for Col.… Continued →

I’m a sucker for all things shoegaze, including music that often falls under the wider umbrella of dream pop, madchester/baggy, indie pop and some forms of Britpop and space rock. While shoegaze had a limited representation amongst Christian artists, there were a few who really excelled in the genre. Ypsilanti, Michigan’s Velour 100 was one such artist. Led by Trey Many (who had honed his skills in the mainstream His Name is Alive and Liquorice; also a member of indie rock supergroup Lo-Tom), and rounded out by vocalist Amon Krist (daughter of renowned folk artist Jan Krist) on the debut, the band employed a trio of lead vocalists for their more accessible and also edgier sophomore effort Of Color Bright.… Continued →

How often have you gone back to listen to an album that was more than 10 years old, only to find it didn’t hold up as well as you thought it would? A sloppy guitar part here, or a bad mixing job there, or even just song ideas that didn’t really work as well in hindsight? I first heard Atlantis in 2007 when I was asked to review it for Uprise Zine (if you remember that publication, give me a shout!) While I definitely remember liking it, I was pleasantly surprised at how good it sounds 14 years after its release.… Continued →

One of the longest-running indie/alternative bands in the Christian scene, The Choir emerged in the 1980s initially as Youth Choir, shortening the name after the release of one album and one EP. The band formed in 1983 and were instrumental in the early 80s Calvary Chapel scene in Southern California, that also included stalwarts like Undercover, Altar Boys, and 4-4-1. Where some of their counterparts flirted with punk and harder alternative sounds, The Choir’s sound rarely ‘rocked’ so much as it created atmospheres and layers that have never been easily pigeonholed into any particular scene or sound and yet have toyed with dream pop, indie pop, and at times even shoegaze.… Continued →

First things first: I must apologize for missing a couple of weeks on my Song of the Day features. We’ve been in the middle of an international move. Yes, after 13 years of life in the UK, my family and I have returned to the United States! And we’ve been living out of suitcases while we finalize our housing. So do please forgive me for missing a few posts. However, I hope a new song from Starflyer 59 this week can make up for it. The first thing I noticed from the track was the eerie new wave keyboard sounds and quasi-goth guitar leads.… Continued →