Tag: Tooth and Nail

The best way I can describe Coolidge is as a sort of ‘prequel supergroup.’ All of the members are now well-known for their contributions to indie rock, though none of them were very well-known at the time, and Coolidge remains a fairly obscure blip on the map of alternative music. Formed in 1992, the band featured Damien Jurado on bass and vocals, David Bazan (Pedro the Lion, Headphones, Lo Tom) on drums, and Eben Haase (Blenderhead, Don’t Know) on guitar. They played an intense and unique form of emo-core that interweaved lo-fi indie rock into the mix.… Continued →

Most of you will know that Ronnie Martin has been making music since the late 80s (at least) with Morella’s Forest 1988, Dance House Children, and most famously Joy Electric, not to mention a host of side projects like Ronald of Orange, The Foxglove Hunt, The Brothers Martin, and so forth. While there’s a lot of history with Martin’s expertise in making quirky, electronic pop music, in a sense none of that matters. Not that the history isn’t respectable–but what we really want to know is, is this record going to be good?… Continued →

I’ve been listening to Ronnie Martin’s music since the late 80s, when he and brother Jason (of Starflyer 59 and many others) were known as the duo Dance House Children. That group reveled in synth-pop, but with a super quirky edge. There was nothing in the Christian nor secular markets quite like it. After two underrated albums, the pair split. Jason started the legendary indie rock monster Starflyer 59, while Ronnie carried on with synthesizer-created music in the form of Joy Electric. Picking up where Dance House Children left off, Joy Electric took the quirkiness to extreme new levels.… Continued →

No, The Supertones weren’t the first Christian ska band. The Israelites’ first album pre-dated them by a year. But in the UK, Rev Counta and the Speedoze* (another incarnation of Ishmael United) had released a full-length as early as 1980! And perhaps some Jamaican bands that didn’t fit into the CCM/CBA mold had been active earlier than that, it’s hard to say. However, the Supertones were the first Christian ska band to release an album on a nationally-distributed label, releasing The Adventures of the O.C. Supertones just a few months before Five Iron Frenzy dropped Upbeats and Beatdowns.… Continued →

Y’all better to get ready to put your boxing gloves on. You ready for this? Pokinatcha is the best MxPx (Magnified Plaid) album. Why? It was melodic, but still very much punk–bordering even on old school hardcore at times. It’s by far their most unique record, before they settled into the more polished pop-punk sound that everyone remembers. To be clear, I have no problem with the direction they later took (except for maybe moving further away from Christian spirituality and theology as the years went by, but that’s another post altogether).… Continued →

This band was the epitome of one of those all-too-common scenarios in 90s Christian music: the frustratingly great one-album wonder. Driver Eight released Watermelon via Tooth and Nail Records in 1996, to high acclaim from fans and critics alike, and then disappeared into the . . . well, that’s just it–we don’t know what happened! The album featured a highly-effective mix of alternative rock styles including Britpop (even though the band was American), quasi-shoegaze, and jangle pop. It seemed that they were channeling equally such disparate influences as Smashing Pumpkins, Catherine Wheel, R.E.M.,… Continued →

I remember when I first heard this song. It was on the Tooth & Nail Songs from the Penalty Box compilation, amidst other songs ranging from pop-punk to hardcore and everything in-between. But Blindside was hard to peg. It was heavy and raw, and kind of hardcore, but not really. There was a mild rap influence in the delivery, but it wasn’t really rapcore either. Post-hardcore hadn’t really occurred to me as a category yet. The band put the song on their debut, self-titled, full-length album and a year later released a second–both albums on Tooth & Nail/Solid State.… Continued →

Among the plethora of pop-punk bands in the Christian scene, Slick Shoes were one of the best, probably top 5 out of hundreds. Formed in 1994 in Southern California (like most Christian pop-punk bands), they released their debut EP for Tooth & Nail in 1997, then proceeded to release 6 full-lengths, a split with mainstream band Autopilot Off (FKA Cooter) and a live album. The band won a lot of points with me by taking their name from one of my favorite movies of all time, The Goonies.… Continued →

Havalina Rail Co. was a delightfully quirky, eccentric, genre-fusing and genre-bending experimental band from California. Across their 10-year career (give or take), the band dabbled in folk, ska, jazz, ragtime, blues, Americana, surf, and multiple internationally-themed genres. No two albums in their canon treads the same ground, and yet each successive opus is clearly recognizable as Havalina. The band stopped recording as HRC somewhere in the early 00s, but members have turned up elsewhere. Most notably are Matt Wignall who is a renowned photographer and is perhaps now best known as the producer for several Cold War Kids albums.… Continued →

So a new friend or acquaintance finds out you’re into music. The inevitable question follows: “what kind of music do you like?” How honest are you? Do you simply say, “I like a little bit of everything?” You know that’s not true. You can’t stand Matchbox 20. Do you try something a little more honest, but still generic, like, “mostly rock stuff.” No, that won’t work either–they might think you mean Lynyrd Skynyrd. Or are you blatantly honest with them, knowing they are unlikely to have a clue what you mean: “my favorite genre is probably shoegaze.”… Continued →

Jason Martin is back at it, never ceasing to create and release new music. The new single is called “Sunrise” and is decidedly more upbeat than the recent “Life in Bed.” Perhaps the two work as companion pieces? The 80s post-punk and new wave influences are here again, but filtered through Jason’s shoegaze and indie rock background. Check out the song on your streaming platform of choice. Be sure to download and support the artist where possible. https://starflyer59.bandcamp.com/album/sunrise https://soundcloud.com/velvetblue/starflyer-59-sunrise https://open.spotify.com/track/4o5hLF6WnULrPXFCMzmLH5?si=5ee0b792c04143d1… Continued →

I’m a sucker for all things shoegaze, including music that often falls under the wider umbrella of dream pop, madchester/baggy, indie pop and some forms of Britpop and space rock. While shoegaze had a limited representation amongst Christian artists, there were a few who really excelled in the genre. Ypsilanti, Michigan’s Velour 100 was one such artist. Led by Trey Many (who had honed his skills in the mainstream His Name is Alive and Liquorice; also a member of indie rock supergroup Lo-Tom), and rounded out by vocalist Amon Krist (daughter of renowned folk artist Jan Krist) on the debut, the band employed a trio of lead vocalists for their more accessible and also edgier sophomore effort Of Color Bright.… Continued →

First things first: I must apologize for missing a couple of weeks on my Song of the Day features. We’ve been in the middle of an international move. Yes, after 13 years of life in the UK, my family and I have returned to the United States! And we’ve been living out of suitcases while we finalize our housing. So do please forgive me for missing a few posts. However, I hope a new song from Starflyer 59 this week can make up for it. The first thing I noticed from the track was the eerie new wave keyboard sounds and quasi-goth guitar leads.… Continued →

Disciple will be releasing a deluxe edition of the album, “Love Letter Kill Shot” on September 18th, which will feature 3 new tracks, one of which you can check out now and pick up at your digital retailer of choice. “Darkness Dies” is a single that has a nice contrast between the laid back, melodic side of the band and their edgier, smack-you-in-the-face rock side. It’s a pretty great track that you can pick up HERE, where you can also pre-order the upcoming deluxe release.… Continued →

Emo seems to be a genre that people either love or hate. Heck, even most of the bands who played in the genre didn’t want to be associated with the name for one reason or another. While Roadside Monument toyed around with various genres like indie rock (Beside This Brief Hexagonal), math rock (I Am the Day of Current Taste), and fusions of the two (Eight Hours Away from Becoming a Man), they also stayed just close enough to the emo genre to never fully break free from the tag.… Continued →

After releasing last year’s opus Young in My Head, Starflyer 59 are already back. The veteran indie rock band have just released a new single, “This Recliner” and boy oh boy is it good! Fueled by inspiration from the best of his 80s new wave AND shoegaze influences (The Church, Psychedelic Furs, Jesus and Mary Chain, et. al.), the man truly knows how to write a pop song. Sometimes I think his skill lies in brevity. Rather than dragging stuff out, founder Jason Martin always leaves you wanting just a little bit more.… Continued →

By the time Give us Barrabbas came out (the band’s 7th album), The Blamed had already gone through at least 4 different genres: punk rock, crossover thrash, hardcore punk, and punk metal. Now they were dabbling in experimental post-hardcore, which, for my money was their most successful rendering of noise to date. “1200 Stares” starts off with a punishing, repetitive riff, and then we welcome some gang shouts: “We won’t stop what we start!” There’s an urgency in the cry that beseeches one to pay attention.… Continued →

One of Tooth & Nail’s newer signings, Paradise Now has been pretty well received with their debut ep, “Supernatural”, which was released just a couple months ago. Earlier today, the band released a video for the song, “Baptist”, which you can check out below. What do you think?… Continued →

Slick Shoes and Tooth & Nail have announced the re-signing of the band with the label. Along with the signing, it has been announced that a live album called “Broadcasting Live” will be dropping on November 22nd (preorder yours here) as well as a completely new album coming our way in 2020. A new live track will be released at some point tomorrow, so keep your eyes and ears peeled for that as well. Who’s ready for some new Slick Shoes???… Continued →

From Velvet Blue Music . . . “To celebrate the upcoming re-issue of STARFLYER 59 ‘gold’ on vinyl . . . we’ve made a run of Gold era shirts and a cool sticker pack. Links below. Or you can email me if you’d like a link to pay via PayPal jeff@velvetbluemusic.com”. Click below for the links to purchase… Continued →

Earlier this week, Disciple announced their new album, “Love Letter Kill Shot” is set to drop on September 13 on Tooth & Nail Records. Preorders are up now here. Who’s planning on picking this up?… Continued →

Who remembers Sal Paradise? Obscure 90s indie rock band from Sydney, Australia (formerly known as The Crux–unrelated to the punk band). Those who do remember them are probably most familiar with their one and only album on Tooth and Nail Records, entitled “Further.” However, they had also released a few independent releases in their native country. This song, “Travels” made it to a Velvet Blue Music compilation in the form of an acoustic version. The electric version was darker, but just as moody. It was originally released on the Scatter release pictured here, but has popped in various other releases, including “For You and Before You” still available from the Velvet Blue Music shop here: https://velvetbluemusic.com/shop/sal-paradise-for-you-and-before-you/… Continued →

  Amazingly, this song is now 23 years old, and I still feel the same way about it as I did back then.  It’s a fantastic song, and one of the highlights of the Christian alternative rock scene!  Plankeye’s first album (“Spill”) was raw and unrefined, showing hints of Orange County punk.  While their second album “The Spark” had that same raw energy, the songwriting and musical chops had improved, along with just the right amount of production–not too raw, not too slick.  “Open House” is the standout track and has a great message of God’s love and grace even in times of difficulty. … Continued →

In a statement released yesterday, Disciple announced their signing with Tooth & Nail Records. The band re-enters the studio to begin to begin recording the followup to “Long Live the Rebels” next month.    … Continued →

LOYALS may fill the hole in your musical heart that longs for good pop music. No, we’re not talking about computer generated beats with autotune. We’re talking about real musicians that play memorable songs that are beyond catchy. The first couple of songs offer a few glimpses of what LOYALS has to offer. They’re fairly catchy, however the highlights of the album begins with the single “Skyline.” The song is a lighthearted account of a first date gone wrong. Lyrically, it’s a story that many can relate with and it’s that kind of nostalgia that will keep this song in the heads of many.… Continued →

Today marks 15 years since the release of Mae’s debut album, “Destination: Beautiful”. I personally didn’t find out about these guys until a little after “The Everglow” came out, but after I checked out “Destination: Beautiful” I couldn’t figure out which album I liked more; probably still don’t know, to be honest. What are some of your favorite tracks and memories from this album? 15 years…man, time really flies.… Continued →

Tooth and Nail recently announced the signing of a band called Off Road Minivan. Now, I’m going to be brutally honest here, and it may just be a matter of opinion, but these days I really haven’t found much coming out of Tooth & Nail that I like. In this case however, I decided to take the chance and give these guys a shot and was very glad I did. Off Road Minivan are a band out of Red Hook, NY with a lineup that includes Fit For A King bassist, Ryan O’Leary.… Continued →

The Welcome Wagon returns with a strong orchestral folk follow-up to 2012's "Precious Remedies Against Satan's Devices".

Last year, a new addition to Tooth & Nail’s growing roster released their second album, and let me tell you that it’s not getting the credit it deserves. “You Wouldn’t Believe What Privilege Costs” by Civilian is one of the best T&N releases in years and here’s why. From the moment the album begins, there’s a feel to the songs that’s hard to pin down. I once related the band to Starflyer 59 in an attempt to figure it out, but that was wrong. They’re heavier and much more layered than the shoegaze SF59.… Continued →

RIYL: Emery, Scary Kids Scaring Kids, Microwave, Kids in the Way, The Classic Crime In 2001, before anyone in the Tooth & Nail community and crowd realized, one of the most under appreciated bands formed for an 8 year existence. Far-Less put out a total of 2 EPs, 2 full lengths, and one final EP that was never released. Bands that ended too soon, Far-Less, it’s your turn. When Far-Less was signed, they were actually signed to Solid State Records. That’s a testament of how heavy they once were.… Continued →