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Destroy Nate Allen is a fun, energetic band that mixes the simplicity and energy of punk rock with the acoustic sounds of folk, making for an interesting take on folk-punk. Quirky but sincere lyrics and vocal styles combine with straight-forward messages–usually on subjects other artists don’t want to touch–make for both a challenging and entertaining listen. Take “Boobie Bar” for instance. On the one hand it’s a crude song whose title I had to censor, just so it doesn’t get picked up by filters. On the other hand, the intent behind the song is just about as pure as it gets: Don’t go down to the boobie bar If you want a real relationship, you won’t get far Don’t go to that boogie bar The song comes from their 2012 album, With Our Powers Combined.… Continued →

I first heard L.S.U. in about 1991. I had been a pretty staunch metalhead, but a few alternative rock bands were starting to open me up to new colors in my musical palette. While the experimental This is the Healing was the first album I heard from them, The Grape Prophet is a favorite of fans and critics alike. The album was one of the first and only concept albums, or “rock operas” as band leader Michael Knott liked to call them. The Grape Prophet tells the story of Ellis, an orange picker who works for Col.… Continued →

The funk-punk and funk-metal scene(s) rose quickly in the early 90s and then disappeared just as quickly. At one point, it was looking to be the next big thing, but as a genre it never dominated alternative rock as it once looked like it would. In fact, aside from Red Hot Chili Peppers and Jane’s Addiction, few in the general market ever made it big, even though bands like Fishbone and 24-7 Spyz were just as talented. However, the fusion/hybrid genre did help pave the way for other crossover genres to gain steam, particularly third wave ska (with its derivatives ska-punk and ska-core), rap-core, and industrial metal.… Continued →

If you’re reading this review, chances are you’re aware of Nate Allen. Released a ton of folk-punk albums with wife Tessa as Destroy Nate Allen. DNA was energetic, fun, and although there was always a message, it was generally focused outward (“Jesus, Keep us Safe from the Cops” and “Boobie Bar” come to mind). Good Saint Nathaniel is Nate’s latest project, a solo outing, in which he turns inward to personal reflection and resolution. And the results are surprisingly good. Stylistically this is indie folk. Closest comparisons I can make are Damien Jurado’s darker stuff (there are no pop songs here), or even some of Mark Kozelek’s stuff (Red House Painters, Sun Kil Moon), but with more uplifting content.… Continued →