Tag: experimental noise

I’ve said it before and I’ll say it again, Sin Disease is one of the greatest albums ever to emerge from our scene. Romald Domkus (born Allan Aguirre) and company unleashed a wonderfully chaotic debut album, with production from Terry Taylor (DA/Daniel Amos/Swirling Eddies/Lost Dogs) that set CCM on its head! Think I’m overstating things? Not possible. Here’s why: have you ever tried to pigeonhole the album, or this band, into a single genre? Good luck.… Continued →

While Gospel music to most probably represents tradition and preservation, there is also a strong undercurrent of experimentation and the avant garde. Among faith-filled artists are John Coltrane’s divinely-inspired free jazz, classical composers pushing the envelope of what music should be (Bach, for instance), heck even the first rock and roller (arguably) was essentially a Gospel singer/guitarist who just cranked things up a little louder. I mean, of course, Sister Rosetta Tharpe. Add to the list Orlando Greenhill.… Continued →

It’s hard to believe this release is nearing 20 years old. Although I’ve been hearing about it for years, I only recently acquired a copy for myself, and it sounds just as innovative and fresh now as it must’ve done when it first dropped. I’m not sure how many industrial music fans we have at IVM, but this is the real deal. It’s not metallic industrial, nor dance stuff, just harsh, sonic, rhythmic experimentations. And what really caught me off guard was how much this album infuses ambient sounds.… Continued →

Mexico City’s Meekness have a new track out for digital download. The extreme noise genre (and all its ridiculously named subgenres: harsh noise wall, power electronics, noisecore, gorenoise, etc.) is a tough genre to get into. It’s even arguable whether it could be called music. While we won’t debate that here, suffice it to say that Meekness definitely offer something fresh and original to the genre. As impossible as it sounds they mix influences from synth-driven new wave, hip-hop beats, 80s industrial, grindcore and noise to form something entirely unique.… Continued →

Long before the Christian music industry had become familiar with industrial music via the likes of Deitiphobia, Mortal or Circle of Dust, indie stalwarts Blackhouse already had 9-10 albums out. Most of them were only available as imports or through independent mailorder, and many were on secular labels. Case in point is “We Will Fight Back,” with its provocative album cover. The crucified rabbit was done by the label without artist consent, or so the story goes.… Continued →

If you guessed by the band name that you were about to hear some grindcore, you’d be right.  However, what you might not expect from this Brazilian band is the type of grindcore they play (yes, there are multiple subgenres, but let’s not get into that)!  While the trademark elements are there—incredibly fast riffs, blastbeats, extremely short songs—the longest song is just one minute, 12 seconds and it’s the only song over a minute.  In fact, the whole album of 16 songs clocks in at just over 6 minutes!—yet… Continued →