Tag: experimental noise

Okay, we’re about to go crazy-obscure for this Song of the Day. First off, is this even a song? I recently discovered Dolenaer while listening to Hymns of the Blackest Light Volume 2, a compilation of black metal and experimental noise put out by Fallen Oak Recording. You might recognize that name as being closely affiliated with atmospheric black metallers Vials of Wrath. Dolonaer ride that incredibly fuzzy line between ambient, experimental noise, and black metal, with a sound that hints of all three, but leads them into something entirely new.… Continued →

It’s been a while since we’ve covered some grindcore here, so it seems like the right time. One of the most–if not the most–intense genres of metal and/or hardcore and/or noise (depending on which angle is taken), grindcore is generally an acquired taste and is more often than not a ‘love it or hate it’ genre with very little room for bystanders. Having emerged in the 1980s as an ever-increasingly intense subgenre of hardcore punk, it is generally characterized by ridiculously fast, and very short songs.… Continued →

If you’re of the opinion that only melodic music can be godly, then you might want to navigate your browser elsewhere. If, on the other hand, you see the possibility of the Spirit working and moving in the new, the avant garde, the experimental, and the downright weird, then Ganglia just might interest you. Sometimes stylized as GÅNGLÎÅ, this one-man project was started by David Smittcamp in Los Angeles in the late 1990s. He took the already experimental genre of grindcore (lightning-fast tempos and ultra-short songs fused into an extreme form of hardcore and metal), and flipped it on its head by utilizing only electronic instruments.… Continued →

I’ve said it before and I’ll say it again, Sin Disease is one of the greatest albums ever to emerge from our scene. Romald Domkus (born Allan Aguirre) and company unleashed a wonderfully chaotic debut album, with production from Terry Taylor (DA/Daniel Amos/Swirling Eddies/Lost Dogs) that set CCM on its head! Think I’m overstating things? Not possible. Here’s why: have you ever tried to pigeonhole the album, or this band, into a single genre? Good luck. Take equal parts hardcore punk, reggae, goth, glam rock, and heavy metal, and then top the whole thing off with a weird experimental noise track lasting over 7 minutes long.… Continued →

While Gospel music to most probably represents tradition and preservation, there is also a strong undercurrent of experimentation and the avant garde. Among faith-filled artists are John Coltrane’s divinely-inspired free jazz, classical composers pushing the envelope of what music should be (Bach, for instance), heck even the first rock and roller (arguably) was essentially a Gospel singer/guitarist who just cranked things up a little louder. I mean, of course, Sister Rosetta Tharpe. Add to the list Orlando Greenhill. Greenhill is probably most known for his upright bass playing in Havalina Rail Co.… Continued →

It’s hard to believe this release is nearing 20 years old. Although I’ve been hearing about it for years, I only recently acquired a copy for myself, and it sounds just as innovative and fresh now as it must’ve done when it first dropped. I’m not sure how many industrial music fans we have at IVM, but this is the real deal. It’s not metallic industrial, nor dance stuff, just harsh, sonic, rhythmic experimentations. And what really caught me off guard was how much this album infuses ambient sounds.… Continued →

Mexico City’s Meekness have a new track out for digital download. The extreme noise genre (and all its ridiculously named subgenres: harsh noise wall, power electronics, noisecore, gorenoise, etc.) is a tough genre to get into. It’s even arguable whether it could be called music. While we won’t debate that here, suffice it to say that Meekness definitely offer something fresh and original to the genre. As impossible as it sounds they mix influences from synth-driven new wave, hip-hop beats, 80s industrial, grindcore and noise to form something entirely unique.… Continued →

Long before the Christian music industry had become familiar with industrial music via the likes of Deitiphobia, Mortal or Circle of Dust, indie stalwarts Blackhouse already had 9-10 albums out. Most of them were only available as imports or through independent mailorder, and many were on secular labels. Case in point is “We Will Fight Back,” with its provocative album cover. The crucified rabbit was done by the label without artist consent, or so the story goes. Never one to be pigeonholed, Blackhouse experimented with noise, hip-hop, electronica and more, but all functioning out of the foundation of industrial.… Continued →

If you guessed by the band name that you were about to hear some grindcore, you’d be right.  However, what you might not expect from this Brazilian band is the type of grindcore they play (yes, there are multiple subgenres, but let’s not get into that)!  While the trademark elements are there—incredibly fast riffs, blastbeats, extremely short songs—the longest song is just one minute, 12 seconds and it’s the only song over a minute.  In fact, the whole album of 16 songs clocks in at just over 6 minutes!—yet… Continued →