Tag: Tooth and Nail Records

I recently had the chance to video chat with Rob Withem, of indie pop outfit Fine China. The band has been active since the late 90s, and recently released the beautiful, sophisticated, elaborate I Felt Called (available on Double LP and CD, as well as digital formats via www.velvetbluemusic.com. IVM: Let’s start on a light note. Cloud has informed me that you’re an aficionado of dad jokes . . . RW: You know, that’s funny. I think he’s making that up to be funny, because I don’t think I’ve ever told a dad joke in my like.… Continued →

I love the old playful quote about the difference between knowledge and wisdom: Knowledge is knowing Frankenstein isn’t the monster. Wisdom is knowing Frankenstein is the monster! A similar thought could be applied to Norwegian band Royal: Knowledge is knowing Royal isn’t punk. Wisdom is know Royal is punk. If punk is about shedding notions of convention and rules, then Royal was as punk as they come. Royal blended genres like chefs blend fancy soups. They were simultaneously indie rock, jazz, post-hardcore, emo . . .… Continued →

We are grieving today with our friends in Roadside Monument and fans of the indie rock innovators. This sad news came from the camp yesterday (Jan. 9, 2025): “We are sad to say that our friend and band mate, Joel Metzger passed away unexpectedly on Tuesday. Joel played drums on the My Life is Green 7” and the Beside This Brief Hexagonal album as well as playing with Damien Jurado on a few of his projects. He went on to become an amazing barber / hair stylist, eventually opening his own barber shop.… Continued →

AP2 was the continuation of, or the evolution of the forerunner Argyle Park. The first incarnation of the band recorded one album, Misguided, for R.E.X. Music in 1994, performed only one live performance at Cornerstone Festival in 1995, then broke up shortly after amidst a plethora of controversy in Christian music circles. The bulk of the controversy involved the band not being positive enough or evangelistic enough. While the bands’ members were all known by pseudonymous aliases, it is fairly well-known that the creative forces behind the project were Scott Albert (AKA Dred and Deathwish) of Circle of Dust/Celldweller and childhood friend Chris Martello (AKA Buka), who at the time worked for MTV Sports and was responsible for getting lots of Christian alternative/punk/hardcore bands into MTV programming.… Continued →

The Christian indie scene suffered a great loss last week, losing notable drummer Geoff Riley, known best for his immaculate time-keeping skills in the band Puller. The band was formed by Mike Lewis (ex-For Love Not Lisa, secular grunge/post-hardcore band), and hailed from Oklahoma. Mike posted the news of Geoff’s death, and some very poignant thoughts about Riley’s life and artistic contributions to the independent music scene via Instagram. Because it can’t really be said any better than this, I’m linking the post and including the entire text here: Geoff Riley Instagram Announcement “Hearing the news of my friend and music partner Geoff Riley passing is an overwhelming devastating loss.… Continued →

Most know Tommy Walter aka Abandoned Pools from the Tooth & Nail release. However, he released lots of music beforehand with the mainstream band Eels & the moniker actually stemmed from 2 other names before it involved into AP. This SOTD was actually the 3rd single released from the album of the same name. Abandoned Pools is currently working on their 6th release & their Kickstarter project started August 6th, 2024.  … Continued →

Indie pop duo Bon Voyage was a collaboration of Jason Martin (Starflyer 59, and about a dozen others) and his wife Julie on vocals. The project was somewhat accurately described as “Starflyer with female vocals,” which is not inaccurate though not really complete either. Whereas SF59 added layers and layers of guitars and fuzz, Bon Voyage stripped things back to the pop essentials. Julie’s vocals are akin to Julee Cruise, most famous for her work on the Twin Peaks soundtracks. The band released three albums for BEC and/or Tooth and Nail, and we haven’t heard from them since 2008.… Continued →

I’ve been a fan of Starflyer 59 since the affectionately titled “Silver” (officially self-titled) released in 1994. So when offered the chance to interview Jason Martin in advance of their new album Lust for Gold, I jumped at the chance. Always known for being brief in interviews, he still managed to be substantial in his correspondence. LH: The response to the new single “909” has been incredible so far, with many people commenting how the sound hearkens back to 90s-era SF59 with the later style of vocals.… Continued →

Legendary hardcore band Focal Point, from Northern California, is well-known not so much for the music they created (tragically), but for the groups that had their origin in the quintet. Training for Utopia, Demon Hunter, Nyves, and Low and Behold all trace their origins back to Focal Point at least in part. As important as those connections are, it’s a shame that too few actually remember the music of Focal Point, as it’s probably my favorite of all the aforementioned. They arrived on the scene late in the “new school hardcore” movement of the early 90s as hardcore was becomingly increasingly more metallic, and yet hadn’t fully shifted into metalcore, which would happen a year or two after Suffering of the Masses dropped.… Continued →

The world of Christian music has lost a true icon. Michael Knott was confirmed dead yesterday, March 12th. Knott was a true pioneer in independent Christian music, leading a plethora of bands, dabbling in multiple genres, engaging prolific solo work, in addition to being a visual artist. Starting in the 1980s, Knott joined existing band Lifesavors, a Southern California power pop/new wave band, but later took leadership of the band. Initially Knott continued the new wave direction, but things took a darker shade in 1987 when he rebranded the outfit LifeSavers Underground and released one of the most influential album our scene ever produced, Shaded Pain.… Continued →

I have listened to many instrumentals over the years. There are not too many that land on radio. Prog’s Fourth Estate’s song here did back a long time ago If I can recall through the 7Ball Magazine’s charts. I still think Whitecross’s guitar solos are so talented. But, alas I wanted to share this band as their member Dave Beegle is still going strong all these years later. Check him out on Bandcamp. And Everdown’s track is just plain awesome!   … Continued →

This band from Southern California was one of the first wave of bands who set the foundation for what was known as “Spirit-filled hardcore.” A wave which also included Focused, Strongarm, Six Feet Deep and a handful of others, many of which remained unsigned. The scene was characterized by ‘new school’ or ‘chugga chugga’ or metallic hardcore of the early to mid-90s, combined with lyrics that were bold and unapologetic about faith issues. The first time I heard Unashamed was actually a live show as they were the opening band at the first Tooth and Nail Weekend in 1994, a mini-fest at the Where-House in Bartlesville, OK featuring all Tooth and Nail bands (also on the bill were Focused, Chatterbox, Plankeye, Starflyer 59 and Wish for Eden who sadly had to cancel due to a broken down van).… Continued →

Poor Old Lu are/were one of the most celebrated alternative rock bands in the Christian scene. They hit at the height of the Christian indie scene in the 1990s, and formed a core unit of alternative rock bands that included The Prayer Chain, Plankeye, Starflyer 59 and a handful of others. Hailing from the Seattle area, the band also had close ties with others in the scene like Pedro the Lion, Damien Jurado, Blenderhead, and even Sunny Day Real Estate (vocalist Jeremy Enigk provided guest vocals on one POL track).… Continued →

Minnesota’s Ace Troubleshooter was a pretty cool pop punk band back in the day. They were very close with Relient K & vocalist John played bass with RK & RKs drummer Dave played in Ace. Check out this catchy this SOTD & those of us into Godzilla & other kaiju will did the title (although I have no clue as to why it’s included).   … Continued →

This punk rock supergroup features ex-members of Crux, Empty Tomb, Cicero, and Gov’t Hate Mail. So you can see why I was excited about hearing this disc. The EP contains 7 songs, clocks in around 17 minutes, and comes as a pro-CDr in a standard jewel case with a single panel insert with credits and no lyrics. Musically what we have here is no frills punk rock and roll. It’s not quite as spastic as Crux, and doesn’t have the hardcore/thrash leanings of Empty Tomb. When comparing to its members previous projects, it’s probably closest to Gov’t Hate Mail, but just slightly heavier than that project.… Continued →

Jeremy Alan Gould has done it again! His regular podcast “The Rumors Are True” recently featured Russell Holbrook of Joe Christmas and World Against World. In the episode, there’s real talk of a possible Joe Christmas reunion. Check out the episode here: Russell Holbrook interview at The Rumors Are True… Continued →

Early 2000s emo, you gotta love it! One of the best, and painfully one of the most obscure in the genre was twothirtyeight (or sometimes 238). The band hailed from Pensacola, FL in the state’s panhandle. Florida seemed to be a haven for emo and hardcore during that era, and many of those bands ended up on Birmingham, AL’s Takehold Records, and then eventually on Tooth & Nail when they bought Takehold’s roster and much of its back-catalogue. Twothirtyeight played a style of emo that minimized the hardcore influence and instead delved into a deeply emotional form of indie rock, like secular counterparts in Braid, Cursive, or Christie Front Drive.… Continued →

Gosh, this song . . . this band . . . has a way of evoking memories of a certain period of my life. Lo-fi indie rock with only 2 members. One on guitar and vocals, and the other on drums. They released a very short–only 3 songs–but brilliant self-titled EP on Tooth & Nail in 1997. T&N had a fantastic run of EPs around that time (Pedro the Lion, Warlord, Inner Means, Training for Utopia, etc.) and this was certainly one of them. The songs were lo-fi, but not noisy.… Continued →

This release was a side project of Jeff Belew who has been in a slew of music endeavors over the years. The music is industrial metal & is a classic in the genre. Guest vocals in this SOTD is Mark Salomon. Pic is Jeff & Scott Albert aka Celldweller aka Circle of Dust. … Continued →

Early Tooth & Nail bands were awesome-what the heck happened? The label has a wide variety of artists back in the day whose sounds were not heard of really in the CCM industry. Hence we have Don’t know: a hybrid of funk, punk & metal that sounds akin to Primus or Mr. Bungle. Members of this band have a very long discography with other bands such as Blenderhead, 90 Lb Wuss, Roadside Monument, etc… Check em out & their reviews on Amazon!   … Continued →

Getting their name from The Pixies, this band was all over the place with their indie rock sound. There’s at least one song from every album that I have enjoyed over the years. Check em out.   … Continued →

Furthermore was an indie hip hop band from Tooth & Nail records. They were very accessible to those who were into rap & rock. Check em out.   … Continued →

The best way I can describe Coolidge is as a sort of ‘prequel supergroup.’ All of the members are now well-known for their contributions to indie rock, though none of them were very well-known at the time, and Coolidge remains a fairly obscure blip on the map of alternative music. Formed in 1992, the band featured Damien Jurado on bass and vocals, David Bazan (Pedro the Lion, Headphones, Lo Tom) on drums, and Eben Haase (Blenderhead, Don’t Know) on guitar. They played an intense and unique form of emo-core that interweaved lo-fi indie rock into the mix.… Continued →

Who besides me think covers can be awesome? Well MF did a great cover of ‘Til Tuesday’s classic song. Sydney has a unique voice & it does carry throughout this song. I listened to their Hang out EP for hours as a kid. I loved the shoegazing aspects of fuzz from MF & Starflyer. Tooth & Nail were putting out very different music sounds from the rest of the “Christian” market back then & I was fully on board. Before joining the military I had dreams of going to work for the label.… Continued →

Saw this band with Slick Shoes many years ago. Hung outside the place w/ the guitarist & drummer from what I remember. Hope you remember & like them as much as I have over the years.     … Continued →

So what is the actual name of this band? The Supertones, Supertones, OC Supertones! Anyways, they got the whole Christian industry into 3rd wave ska music. The other 2 Five Iron Frenzy & The Insyderz caught on right afterwards if I remember correctly. My acquaintance from high school was actually trying to bring them to Bloomington/Normal Illinois, but from what I gather they got stuck in a snow storm. Pretty sure this was circa 1995. Anyways, the bass lead is fun to play & not that difficult if you want to learn it.… Continued →

Sometime Sunday’s first LP on T&N is one of my fave albums of the 90s. They spun off into a few different directions such as Tragedy Ann, Rock N Roll Worship Circus, Tomfest, etc… This song may sound cool, but its a harsh reality to those of us who have ever dealt with lust. If one needs a good book to read on the subject, check out Ted Robert’s Pure Desire. Looks like I already wrote a SOTD on Tragedy Ann if you want to read it in the archives.… Continued →

So yep, totally got to see this band live a week ago! They reformed as Run Kid Run before disbanding. I’m not sure how long the reunion will be or if it was just a one off, but I was happy nevertheless. And yes, that is the doxology in acapella at the end of the song. … Continued →

Most of you will know that Ronnie Martin has been making music since the late 80s (at least) with Morella’s Forest 1988, Dance House Children, and most famously Joy Electric, not to mention a host of side projects like Ronald of Orange, The Foxglove Hunt, The Brothers Martin, and so forth. While there’s a lot of history with Martin’s expertise in making quirky, electronic pop music, in a sense none of that matters. Not that the history isn’t respectable–but what we really want to know is, is this record going to be good?… Continued →

I’ve been listening to Ronnie Martin’s music since the late 80s, when he and brother Jason (of Starflyer 59 and many others) were known as the duo Dance House Children. That group reveled in synth-pop, but with a super quirky edge. There was nothing in the Christian nor secular markets quite like it. After two underrated albums, the pair split. Jason started the legendary indie rock monster Starflyer 59, while Ronnie carried on with synthesizer-created music in the form of Joy Electric. Picking up where Dance House Children left off, Joy Electric took the quirkiness to extreme new levels.… Continued →