Tag: gothic

90s goth rock band Wedding Party have recently announced their re-formation. A new album is coming out this month! Pre-orders and digital downloads for the album, entitled “White Horse”, are available now. Fans can purchase at the band’s website here: https://weddingpartyofficial.com or through their official Bandcamp page here: https://weddingpartyofficial.bandcamp.com/album/white-horse Physical orders will start shipping out September 28th, 2023, limited to the USA only at this time.… Continued →

Asche is a busy man in the music industry. I have seen him play multiple times. AD has hard rock & gothic overtones & just released the song Every Waking Moment at the time of this SOTD. Relesser has more synth overtones & recently released When the World Falls Apart. Check both bands live if you get the chance.     … Continued →

One of my all-time favorite record labels of the indie Christian scene was Blonde Vinyl. Run by Michael Knott (LSU/Lifesavers, and about a dozen others), it was one of the first truly indie, truly alternative record labels focusing on Christian artists. Knott never got rich off of the sales. (A few years later, Brandon Ebel would show us how to make a Christian indie label financially profitable.) Furthermore, not all of the releases on Blonde Vinyl were even that great–I won’t name any names–but all of them were charming in some way.… Continued →

What does a Christ-oriented gothic band do during a global pandemic? I had a lengthy conversation with Skot Shaw to find out. We talked about tours in Mexico, how he came to be part of Jesus People USA, and the goodness of God. IVM: Why don’t you start by giving IVM readers an introduction to the band. How did you get into doing goth music or death rock? Why does Leper exist as a band? Skot: Can open. Worms everywhere! I’ll tell ya . . .… Continued →

San Francisco-based goth band BATZZ in the Belfry are relatively unknown in the mainstream, but that is a real shame. They combine “unashamed traditional old school goth” with ethereal dream pop, and even hints at shoegaze at times. I suppose this puts them in the realm of darkwave. Take “Touch the Stars” for instance. The song would easily be at home on a Metropolis or Projekt Records compilation alongside Sisters of Mercy, Love and Rockets, or Love Spirals Downwards. The song could almost fit on the Twin Peaks soundtrack as well.… Continued →

I’ve said it before and I’ll say it again, Sin Disease is one of the greatest albums ever to emerge from our scene. Romald Domkus (born Allan Aguirre) and company unleashed a wonderfully chaotic debut album, with production from Terry Taylor (DA/Daniel Amos/Swirling Eddies/Lost Dogs) that set CCM on its head! Think I’m overstating things? Not possible. Here’s why: have you ever tried to pigeonhole the album, or this band, into a single genre? Good luck. Take equal parts hardcore punk, reggae, goth, glam rock, and heavy metal, and then top the whole thing off with a weird experimental noise track lasting over 7 minutes long.… Continued →

Wonderfully noisy, and delightfully obscure, The Lonely Now only released 3 full-length recordings in their short career: —Captive, 1986, Narrowpath Records (cassette only) —Original Intention, 1987, Narrowpath Records (cassette, LP) —Honest Tear, 1990, Narrowpath/Refuge (cassette only) While all of their releases are somewhat difficult to obtain, ironically their final album–the only one with national distribution through Refuge–is the most difficult. It was released through the same agreement as debuts by The Crucified, Breakfast with Amy, and The Swoon. In fact, founding member Greg Sostrom (AKA Greg Strange) was the owner of Narrowpath Records.… Continued →

The year was 1990. I’d heard lots of buzz about this new “goth rock” band Dead Artist Syndrome. Even Roger Martinez from Vengeance Rising had been sporting their t-shirt at gigs. For those who don’t know, DAS was the first goth band to release an album on a Christian label. While being the first is always a good thing, it wasn’t the fact that they were an early representative of the subgenre that made them interesting. It was that they were so darn good at it.… Continued →