Tag: r.e.x. music

Cleveland’s Six Feet Deep were instrumental in the advent of “new school” hardcore that was emerging in the early- to mid-90s. They were one of the few Spirit-Filled Hardcore bands that didn’t end up on Tooth & Nail or Solid State (No Innocent Victim was the other major example). After an independent demo cassette aptly titled Self in 1992, they released two fantastic metallic hardcore albums: 1994’s Struggle and 1996’s The Road Less Traveled. The debut issued on Christian indie stalwart R.E.X. Music and the sophomore on Flying Tart/R.E.X.… Continued →

Greg Minier, the famed guitarist of The Crucified (and later of grunge/alternative/metal project Applehead) released a solo EP of straightforward thrash metal (the yin to The Crucified’s crossover yang), under his last name. The mini-album contained 7 songs and featured Greg playing all the instruments as well as handling the vocal duties. I remember talking with several metalheads at the time and we all agreed it was unfair for the Lord to bless some individuals with so much talent, while others of us got so little!… Continued →

Perhaps better known as the bassist/vocalist of hardcore punk cum crossover thrash band The Lead, Nina (full name Nina Llopis) released her debut album No Shadow of Turning for R.E.X. Music in 1991. As my friend and fellow fan Tim “Greybeard” Henderson (ex-Warlord) said, “This is a perfect example of 1991 music!” He’s so right. The album had hints of goth rock/post-punk, alternative rock, and jangle pop–a description which doesn’t make logical sense unless you lived through the early 90s. Musically similar to other early 90s female-fronted alternative bands like The Darling Buds and Concrete Blonde, the effort was a huge departure from her previous material with the hardcore/thrash band from which we’d come to know her.… Continued →

Haven was a heavy metal/power metal band from New Jersey active in the late 80s and early 90s. The band released two stellar full-length albums for R.E.X. and a third independent release that moved away from heavy metal into hard rock and alternative territory. Fans were often divided on Haven, particularly over the vocals. They were kind of a love ’em or hate ’em thing. Personally, I really enjoyed the unique style. There were enough similarities to Geoff Tate (Queensryche), Mike Lee (Barren Cross), or Bruce Dickinson (Iron Maiden) to draw comparisons, and yet there was a roughness to the high-pitched vocals that made them stand out.… Continued →

I first heard Sixpence None the Richer while listening to a cassette demo in the Christian bookstore in 1993. They had me from the opening acoustic guitar riffs on “Field of Flowers,” the opening track from The Fatherless and the Widow. That album was fantastic, but even so, it was only a foretaste of what was to come. While the band are largely known for their romantic pop radio hit, “Kiss Me,” from their self-titled third album, many fans and critics alike are drawn to their sophomore album, This Beautiful Mess.… Continued →