Tag: flying tart records

Fans of indie popsters The Julies have good reason to celebrate. Lost in Ohio (who released Always & Always in 2023, and re-issued the much-loved Love Life on vinyl in 2020) has announced two new releases from the band, both set for February 27th of this year. A brand new full-length will emerge, entitled Cherisher, described as leaning “fully into reflection, memory, and meaning, delivering a deeply personal collection about holding on, on purpose . . . The album draws from shimmering post-punk urgency and ’90s shoegaze-influenced walls of sound, allowing Alex and Pat, both playing multi-instrumentalist these days, a chance to repurpose the past as well.”… Continued →

The Julies was a barely-known indie pop band from Pennsylvania who released one highly-regarded EP for Flying Tart Records in 1996 and then disappeared for roughly 27 years. I caught up with the band recently to discuss their origins, their revival, and their connection to the Christian indie scene. IVM: I’ve been a huge fan since Lovelife. It’s one of my favorite EPs. You guys had some clear influences, but at the same time didn’t sound like anyone in particular. You must have been pretty young when you recorded that.… Continued →

I’ve said it before and I’ll say it again, Sin Disease is one of the greatest albums ever to emerge from our scene. Romald Domkus (born Allan Aguirre) and company unleashed a wonderfully chaotic debut album, with production from Terry Taylor (DA/Daniel Amos/Swirling Eddies/Lost Dogs) that set CCM on its head! Think I’m overstating things? Not possible. Here’s why: have you ever tried to pigeonhole the album, or this band, into a single genre? Good luck. Take equal parts hardcore punk, reggae, goth, glam rock, and heavy metal, and then top the whole thing off with a weird experimental noise track lasting over 7 minutes long.… Continued →