Tag: dream pop

Post-rock supergroup Unwed Sailor (featuring ex-members of Roadside Monument, Mr Bishops Fist, Norma Jean, Eso-Charis, Living Sacrifice, etc.) have announced a tour through the western half of the United States. Tickets can be found here: https://www.bandsintown.com/a/6744… Continued →

The Julies are back in a big way this year. They’ve had a couple prior (old) albums repackaged and released on Vinyl for the first time by Lost In Ohio and now they come back with a brand new song titled “Symmetry” which is quite frankly the best I’ve ever heard from them or any likeminded band for that matter. I hate using all the genre specific classifications when describing songs such as this because honestly, this band goes above and beyond to bring you music which rides a wave of uniquely, “Julies” music but terms like “shoegaze”, “indie pop rock”, “Dream pop”, etc could easily be applied to this then twisted around and around with the beautiful color hues projecting outwards.… Continued →

It’s so great to have Gary Murray and co. back to making music again after almost a decade of quietude. Gary had to retreat for a few years beginning in 2014 while taking care of aging parents and other personal matters. Monkeys & Spoons certainly reflects that solitude, as well as the grief of losing someone you’ve had close. While the album cover nearly depicts contents of jazz fusion or post-rock (both Koinonia and strangely, Talk Talk are evoked by the artwork), don’t be led astray there.… Continued →

I can only think of 1 or 2 songs where the structure of the song is built primarily around one chord. It’s a pretty risky thing to try. Luxury did it with “South” from their debut album. While there are probably others, the only other one I’m aware of is Honey’s “The Way You Move Me” from their sophomore album, Lost on You. A one-chord song seems like it would be incredibly boring, but with the various embellishments, runs that weave in and out, and ways they alter the chord (okay, technically it’s not only one chord–but it’s built around only one) keep things very interesting and almost psychedelic.… Continued →

If you’ve followed my writings for any amount of time, it’s not hard to discern my love for all things shoegaze, dream pop and the like. One of the best in the game was the mysterious LN. I was never quite sure if it was a band, or a solo project masquerading as a band. Sure, it was fairly well known that Gary Murray (who later recorded as Gary Murray and LN, and then just as Gary Murray) was the principal of the band, but not as clear who else was involved or at what level.… Continued →

San Francisco-based goth band BATZZ in the Belfry are relatively unknown in the mainstream, but that is a real shame. They combine “unashamed traditional old school goth” with ethereal dream pop, and even hints at shoegaze at times. I suppose this puts them in the realm of darkwave. Take “Touch the Stars” for instance. The song would easily be at home on a Metropolis or Projekt Records compilation alongside Sisters of Mercy, Love and Rockets, or Love Spirals Downwards. The song could almost fit on the Twin Peaks soundtrack as well.… Continued →

So a new friend or acquaintance finds out you’re into music. The inevitable question follows: “what kind of music do you like?” How honest are you? Do you simply say, “I like a little bit of everything?” You know that’s not true. You can’t stand Matchbox 20. Do you try something a little more honest, but still generic, like, “mostly rock stuff.” No, that won’t work either–they might think you mean Lynyrd Skynyrd. Or are you blatantly honest with them, knowing they are unlikely to have a clue what you mean: “my favorite genre is probably shoegaze.”… Continued →

I’m a sucker for all things shoegaze, including music that often falls under the wider umbrella of dream pop, madchester/baggy, indie pop and some forms of Britpop and space rock. While shoegaze had a limited representation amongst Christian artists, there were a few who really excelled in the genre. Ypsilanti, Michigan’s Velour 100 was one such artist. Led by Trey Many (who had honed his skills in the mainstream His Name is Alive and Liquorice; also a member of indie rock supergroup Lo-Tom), and rounded out by vocalist Amon Krist (daughter of renowned folk artist Jan Krist) on the debut, the band employed a trio of lead vocalists for their more accessible and also edgier sophomore effort Of Color Bright.… Continued →

There used to be a fairly well-known release formula for SF59. Step one: release full-length album. Step two: release EP of similar material within the following year (or even later that same year). While the formula has been tweaked over the years, it still more or less holds. Whereas She’s the Queen was the counterpart to Silver, Miami functions that way for Young in My Head. Although there are some stylistic—and more noticeably, lyrical—differences, any of these songs probably could have been on Young in My Head.… Continued →

After releasing last year’s opus Young in My Head, Starflyer 59 are already back. The veteran indie rock band have just released a new single, “This Recliner” and boy oh boy is it good! Fueled by inspiration from the best of his 80s new wave AND shoegaze influences (The Church, Psychedelic Furs, Jesus and Mary Chain, et. al.), the man truly knows how to write a pop song. Sometimes I think his skill lies in brevity. Rather than dragging stuff out, founder Jason Martin always leaves you wanting just a little bit more.… Continued →

Dream-pop outfit Monarch has released Sea & Sky, an ethereal electronic ballad that certainly builds anticipation for their upcoming album … Continued →